Introduction Schedule Presentations Intermezzi Archive Imprint
LOCATIONS

Opening & general presentations: Theater im Palais (TiP), Leonhardstraße 19, 8010 Graz
Rigorosum Daniela Braun:  Aula, Brandhofgasse 21, 8010 Graz

Wed 02 Oct
14:00
Opening Performance

Yuri Matsuzaki – Austrian premiere of Carceri d'Invenzione 2c for flute and tape (1987) by Brian Ferneyhough
14:20
Opening

Robert Höldrich, Vice Rector of Research and Quality Management (KUG)

Deniz Peters, Head of the Doctoral School for Artistic Research (KUG)
15:00
Mid-Study Presentation

Lorenzo Orsenigo – Artistic Hacking: A Creative, Practice-based Approach to Performance
16:00
Intermezzo - Participatory Performance

Lorenzo Orsenigo – F.3 & VIII – Environmental Dialogue, from Vinko Globokar's  ?Corporel through Pauline Oliveros' Meditations
16:30
Mid-Study Presentation

Hugo Vasco Reis – Listening and Mediation: Composing with the Silent Sonic Environment
17:20

Fingerfood Break

18:30
Keynote (auf Deutsch, online)

Peter Ablinger – Das Unerforschbare

Thu 03 Oct
10:00
Rigorosum 

Daniela Braun – Playing with Resonance

(Location: Aula, Brandhofgasse 21)
11:45
Intermezzo – Composition, Performance

Anne La Berge – Up Until Now
12:30
Mid-Study Presentation (auf Deutsch)

Judith Fliedl – “Das Du im Ich”: Erforschung neuer Konzertmöglichkeiten im Kontext der zeitgenössischen Musik unter dem Aspekt der Involviertheit des Publikums
13:30

Lunch Break
15:00
Panel Discussion – musikprotokoll@ARTikulationen

Annesley Black, Engin Dağlık, Jessica Kaiser, Anne La Berge, and Jeremy Woodruff (moderation) – Leeways and Strictures in Artistic Experimentation
16:30

Coffee Break
17:00
Rigorosum

Raphael Fusco – Musical Invention And Vocal Idiom: Exploring Expressive Agency And Empathy Through Composition
19:15
Recital

Adela Liculescu, piano – Franz Liszt 12 Études d'exécution transcendante, S. 139

 Fri 04 Oct
10:00
Mid-Study Presentation

Melody Chua – Identity Borderlands: How Shifting Attentions, Movements, and Control Systems Contribute to Dynamic Agencies in Human-Machine Improvisation Systems. Three Case Studies
11:00
Intermezzo – Book Presentation (auf Deutsch)

Elisabeth van Treeck – ‘…da das Wirkliche konstant in Schwebe bleibt…‘, Klang- und Bilddramaturgien des Suspense in Olga Neuwirths ‚Lost Highway‘
11:30

Pause
12:00
Mid-Study Presentation

Maryam Mehraban – The Piano at the Centre of Cultural Exchange: Performance Practice Between Western and Eastern Music. Huzvaresch by Shervin Abbasi
13:00

Lunch Break
15:00
Mid-Study Presentation

Po-Yu Wang – Cross-modal Auditory Hermeneutics: A Study of Reconstruction in Theological Texts
15:50

Coffee Break
16:30
Rigorosum

Roxanne Dykstra – Between Fidelity and Invention: The Performer as Transcriber
19:00
Keynote (auf Englisch)

Isabel Mundry – The Gesture of the Memory

 
>>>
musikprotokoll recommendation

21:00 (Musical) Improvisation and Ethics - Splitter Orchester & Trondheim Jazz Orchestra

 Sat 05 Oct
10:30
Mid-Study Presentation

Zsombor Sidoo – Eliott Carter, Changes: a Musical Analysis
11:30
Intermezzo – Composition

Po-Yu Wang – Teli (תלי)
12:15
Rigorosum (auf Deutsch)

Erweiterte Virtuosität in den Études d’exécution transcendante, S. 139
von Franz Liszt
13:45

Fingerfood Break
14:15
Finale: Viva Voce Results, Best Practice Award, Farewell

 
>>>
musikprotokoll recommendation

19:00 a light stung the darkness I - Martínez, Dağlık

21:00 PHACE - Baticci, Black, Hemyar, Pieniek

 

 
   
 
The programme may be subject to changes.