Knowing about the organization of my body
Knowing how to examine
The state that I find myself in
Investigating different scales of effort
Coupled with muscle tension zero somewhere else in the body
Knowing how to direct my own process
Knowing how to make
Small adjustments deep in my psyche
Not disturbing the surface
Knowing how to read the perceptual coding of the body
Reading the code and hacking in the code
Undoing the code
Reading the memory of receiving
Forming with that [inaudible] recreation
Becoming more specific
Making adaptations
Variations
Knowing how to activate
The absent
Allowing for rigour
Knowing how to resist
Knowing how to relate to objects
Myself as object
Knowing how to do things with words and words with things
Knowing how to be a different myself
Noticing the similarities between different poles as I investigate them solo
Knowing how to hold the concept in the body
Knowing how to let the concept go
And allowing it to be there
Not holding it
Not fixing it
Minimal tension
[inaudible]
Knowing how to surf in the relations
Honey-trap!
Becoming imprecise
Knowing form and knowing deviation
Sometimes deviating
Knowing after
[inaudible]
Combing
Combing the shifting landscape with the body
With ideas
Knowing how to oscillate between different modes of
Skipping
Going
Feeling thinking doing
It ain’t no trap without the honey
Knowing
And recognizing different sensations in my body
Like this small bubbely feeling or feeling small bubbles
That I associate with the duet form of the Manipulations
Have arisen after the shaking
From the shaking
Knowing how to
Interpret
Knowing about precision
Differentiation
Variation
Precision
Precision
Precision
Precision
Knowing how to auto-effect with rigour
Falling
Directing
[inaudible]
Knowing how to relax the brow and still think
Investigating the complexity
Of bodily forms and activities
Failing in my attempt to recreate
Beginning to feel the imprint of the duet form into my solo practice
And also feeling a sense of training in the solo practice
Having a sense of training
Knowing how to
Think with the breathing
To think through the breathing
I have forgotten all about the breathing
Knowing how to differentiate the body
Knowing how to study the detail
Not wanting to stop
Knowing how to experience or draw on
The embodiment of memory in the sense of
The embeddedness or physicality of experience
Memory or technique almost as a
An organ of the body