Even the
The action of the breathing is transformed in form
It activates or agitates
Many
Dislocating and altering the position of bones
Diffracting structure
I think the diagram we looked at is inadequate
Because the light and the ball maintain their material differentiation among them
Whereas I feel like in this situation, where, let’s say, a person is diffracted by a practice and vice versa
They don’t get to keep their material differentiation
So if you were drawing a diagram
Once the light beam hits the ball they would both transform
And then later, maybe, differentiate again
Now we are both changing form
Residue of forms and pressure
Is it the response?
I’m not myself right now
[inaudible]
The tremors in my muscles and structure are like the
The ease of light in the diffraction with the body and the practice
Work around each other
There’s some kind of turbulence there
Diffracting
Changing
Or interfering with the bodily structure
For what purpose?
What shifts while it changes?
I think this was conceived as a way to increase the possibilities of a dancing body
I mean how chained or
Is this prac---
How chained or connected is this practice to the
The goal, let’s say, of a dance performance
Which values
Bodily transformation?
Change in the bodily sensation
Taking
Many little ripples going through
And I wonder if this is diffraction
Residue
Of the Manipulation
When they made this system
Were they
Did they end up staging diffractive phenomena?
Aestheticising collisions?
Bodies are colliding with language and action every day
Nonetheless
[inaudible]
The precision of Joa’s touch
There is no re-creation
Alteration of the body
And the re-creation of sensation is something else
Altering the experience
Altering the experiencing body
Is dislocation of thinking a goal?
I mean dislocation of habitual thinking patterns
Physical sensation entering the practice of thinking
I remember once
When I was at dance school
Waking up in the middle of the night
Or maybe
While I was falling asleep
Realizing that my thinking
Was being organized by a memory of a movement pattern I had done hundreds of times that day
My thoughts went writing the memory of the imprint of this movement pattern
The warmth of the touch and the direction of the pressures feel so
Crucial
And directly connected to the nervous system
Cellular system
Thinking
Brain
I always wonder why sometimes my thumb and forefinger are touching
And sometimes not
In this practice
[inaudible] the position of the body change
If the inner
A slightly shifting the inner organization
All the different bodily systems
So that the body is positioned differently after each touch
Affected
Definitely affected
I am not sure if this is [inaudible] fraction from diffracted
The outer shape of the body is
Somehow the same
The inner organization feels altered and shifted
Even the
The action of the breathing is transformed in form
It activates or agitates
Many
Dislocating and altering the position of bones
Diffracting structure
I think the diagram we looked at is inadequate
Because the light and the ball maintain their material differentiation among them
Whereas I feel like in this situation, where, let’s say, a person is diffracted by a practice and vice versa
They don’t get to keep their material differentiation
So if you were drawing a diagram
Once the light beam hits the ball they would both transform
And then later, maybe, differentiate again
Now we are both changing form
Residue of forms and pressure
Is it the response?
I’m not myself right now
[inaudible]
The tremors in my muscles and structure are like the
The ease of light in the diffraction with the body and the practice
Work around each other
There’s some kind of turbulence there
Diffracting
Changing
Or interfering with the bodily structure
For what purpose?
What shifts while it changes?
I think this was conceived as a way to increase the possibilities of a dancing body
I mean how chained or
Is this prac---
How chained or connected is this practice to the
The goal, let’s say, of a dance performance
Which values
Bodily transformation?
Change in the bodily sensation
Taking
Many little ripples going through
And I wonder if this is diffraction
Residue
Of the Manipulation
When they made this system
Were they
Did they end up staging diffractive phenomena?
Aestheticising collisions?
Bodies are colliding with language and action every day
Nonetheless
[inaudible]
The precision of Joa’s touch
There is no re-creation
Alteration of the body
And the re-creation of sensation is something else
Altering the experience
Altering the experiencing body
Is dislocation of thinking a goal?
I mean dislocation of habitual thinking patterns
Physical sensation entering the practice of thinking
I remember once
When I was at dance school
Waking up in the middle of the night
Or maybe
While I was falling asleep
Realizing that my thinking
Was being organized by a memory of a movement pattern I had done hundreds of times that day
My thoughts went writing the memory of the imprint of this movement pattern
The warmth of the touch and the direction of the pressures feel so
Crucial
And directly connected to the nervous system
Cellular system
Thinking
Brain
I always wonder why sometimes my thumb and forefinger are touching
And sometimes not
In this practice
[inaudible] the position of the body change
If the inner
A slightly shifting the inner organization
All the different bodily systems
So that the body is positioned differently after each touch
Affected
Definitely affected
I am not sure if this is [inaudible] fraction from diffracted
The outer shape of the body is
Somehow the same
The inner organization feels altered and shifted