Lähteet
Abram, David. 2010. Becoming Animal – An Earthly Cosmology. New York: Random House Inc.
Andrews, Malcolm. 1999. Landscape and Western Art. New York: Oxford University Press.
Allegue, Ludivine, Simon Jones, Baz Kershaw and Angela Piccini 2009. (toim.). Practice-as-Research in performance and screen. Basingstoke: Palgrave Macmillan.
Arlander, Annette. 2003 a. “Performing Landscape.” Teoksessa Soile Veijola (toim.). Landscapes of Presence – Aesthetics, Amenities and Technologies. University of Lapland Publications in the Social Sciences B 47. Rovaniemi: University of Lapland, 145-168.
--- 2003 b. “Moved by the Wind.” Moving Bodies. Performance Research. Vol 8. N 4 December, 126-129.
--- 2004. “Näyttämökohtaisuudesta”, Nuori Voima 2/ 2004, 32-35.
--- 2006. “Performing Landscape – Many Places, Many Patrons.” Teoksessa Irene Eynat-Confino and Eva Sormova (toim.). Patronage and the Stage. Prague: Theatre Institute Prague, 167-179.
--- 2007. “Miten maisema minua liikuttaa.” Teoksessa Olli Mäkinen & Tiina Mäntymäki (toim.). Taide ja liike. Proceedings of the University of Vaasa. Research Papers 282. Vaasa: University of Vaasa, 143-181.
--- 2008. “Finding your way through the woods – experiences in artistic research.” Nordic Theatre Studies Vol 20. 28-41.
--- 2009. ”Paikkakohtainen esitys – tilannekohtainen teos”, Kompositio 4/ 2009, 5-10.
--- 2012 a. “Santa Marian suola-altaat – epäpaikoista ja performatiivisen tutkimuksen haasteista” teoksessa Liisa Ikonen, Hanna Järvinen, Maiju Loukola (toim.) Näyttämöltä tutkimukseksi – esittävien taiteiden metodologiset haasteet. Näyttämö ja tutkimus 4. Teatterintutkimuksen seura Helsinki 2012, 9-26. http://www.teats.fi/julkaisut.html
--- 2012 b. Performing Landscape – Notes on Site-specific Work and Artistic Research, Texts 2001-2011 Acta scenica 28, Theatre Academy, Helsinki. http://www.teak.fi/alltypes.asp?menu_id=1704 and https://helda.helsinki.fi/handle/10138/37613
Augé, Marc. 1995. Non-places, Introduction to an Anthropology of Supermodernity.London, New York: Verso.
Barrett, Estelle and Barbara Bolt. 2010. (2007) (toim.). Practice as Research: Approaches to Creative Arts Enquiry. London and New York: Tauris.
Bennett, Jane. 2010. Vibrant Matter – a political ecology of things. Durham and London: Duke University Press.
Berleant, Arnold. 1997. Living in the Landscape. Toward an Aesthetics of Environment. Lawrence Kansas: University Press of Kansas.
Biggs, Michael & Henrik Karlsson. 2011. (toim.). The Routledge Companion to Research in the Arts London and New York: Routledge.
Bonner, Anthony. 1993. (toim. & kään.). Doctor Illuminatus - A Ramon Llull Reader. Princeton, New Jersey: Princeton University Press.
Borgdorff, Henk. 2006. The Debate on Research in the Arts. Sensuous Knowledge. Focus on Artistic Research and Development 2/06. Bergen: Kunsthögskolen i Bergen.
--- 2012. The Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.
Hannula, Mika, Juha Suoranta and Tere Vadén. 2005. Artistic Research – Theories, Methods and Practices. Helsinki: Academy of Fine Art and Gothenburg: University of Gothenburg.
Kaye, Nick. 2000. Site-specific art - performance, place, documentation. London and New York: Routledge.
Kwon, Miwon. 2002. One place after another - site-specific art and locational identity. Cambridge, Massachusets – London, England: The MIT Press.
Lepecki, André. 2006. Exhausting Dance – Performance and the politics of movement. New York: Routledge.
Linn, Denise.1999. Feng Shui for the Soul. London: Rider.
Llull, Ramon. 1993. “The Book of the Lover and the Beloved.” (kään. Eve Bonner). Teoksessa Anthony Bonner (toim.). Doctor Illuminatus - A Ramon Llull Reader. Princeton, New Jersey: Princeton University Press, 175-237.
Morey i Servera, Pere. 1999. A Tour of Sanctuaries in the Balearic Islands. Rey Sol S.A. Edicions de Turisme Cultural Isles Balears.
Nelson, Robin. 2013. (toim.). Practice as Research in the Arts – Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Norberg-Schulz, Christian. 1980. Genius loci – Towards a phenomenology of architecture. London: Academy Editions.
Rautio, Pessi. 2012. “Älkää katsoko päin.” Taide 5/ 2012, 17-19.
Riley, Shannon R. and Lynette Hunter. 2009. (toim.). Mapping Landcapes for Performance as Research. Scholarly Acts and Creative Cartographies. Basingstoke: Palgrave Macmillan.
Schama, Simon.1996. Landscape and Memory. London: Fontana Press.
Seremitakis, Nadia C. 1994. “The Memory of the Senses, Part II: Still Acts.” Teoksessa Nadia C. Seremitakis (toim.). The Senses still – Perception and Memory as Material Culture in Modernity. Chicago: University of Chicago Press, 23-43.
Mainitut taideteokset
Arlander, Annette. 2012 Höyryävä maa http://www.harakka.fi/arlander/hoyryava-maa/index.html
--- 2003. Istun kivellä (Rock with text) http://www.av-arkki.fi/teokset/istun-kivella-rock-with-text/
--- 2002. Tuulikaide http://www.harakka.fi/arlander/tuulikaide/
--- 2002. Soliseva laakso http://www.harakka.fi/2002/nayttelyt/arlander.shtml
--- 2000. Täällä missä meri alkaa http://www.harakka.fi/arlander/meri-fi.shtml
Brotherus, Elina 2004. Wanderer 2. http://www.elinabrotherus.com/news/
Friedrich, Caspar David Friedrich. 1818. Der Wanderer über dem Nebelmeer http://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Der_Wanderer_über_dem_Nebelmeer.jpg
--- 1809. Der Mönch am Meer http://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Der_Mönch_am_Meer_-_Google_Art_Project.jpg
Sooja, Kim. 1999-2001 A Needle Woman http://www.kimsooja.com/videos_multichannel.html
Sources
Abram, David. 2010. Becoming Animal – An Earthly Cosmology. New York: Random House Inc.
Andrews, Malcolm. 1999. Landscape and Western Art. New York: Oxford University Press.
Allegue, Ludivine, Simon Jones, Baz Kershaw and Angela Piccini 2009. (eds.) Practice-as-Research in performance and screen. Basingstoke: Palgrave Macmillan.
Arlander, Annette 2003 a. “Performing Landscape.” In Soile Veijola (ed.). Landscapes of Presence – Aesthetics, Amenities and Technologies. University of Lapland Publications in the Social Sciences B 47. Rovaniemi: University of Lapland, 145-168.
--- 2003 b. “Moved by the Wind.” Moving Bodies. Performance Research. Vol 8. N 4 December, 126-129.
--- 2004. “Näyttämökohtaisuudesta” [On stage-specificity], Nuori Voima 2/ 2004, 32-35.
--- 2006. “Performing Landscape – Many Places, Many Patrons.” In Irene Eynat-Confino and Eva Sormova (eds.). Patronage and the Stage. Prague: Theatre Institute Prague, 167-179.
--- 2007. “Miten maisema minua liikuttaa.” [How landscape moves me] in Olli Mäkinen & Tiina Mäntymäki (eds.). Taide ja liike. [Art and Movement] Proceedings of the University of Vaasa. Research Papers 282. Vaasa: University of Vaasa, 143-181.
--- 2008. “Finding your way through the woods – experiences in artistic research.” Nordic Theatre Studies Vol 20. 28-41.
--- 2009. ”Paikkakohtainen esitys – tilannekohtainen teos” [site-specific performance – situation-specific work], Kompositio 4/ 2009, 5-10.
--- 2012a. “Santa Marian suola-altaat – epäpaikoista ja performatiivisen tutkimuksen haasteista” [The Salt Basins at Santa Maria – Non-places and the Challenges of Performative Research] in Liisa Ikonen, Hanna Järvinen, Maiju Loukola (eds.) Näyttämöltä tutkimukseksi – esittävien taiteiden metodologiset haasteet. [From Stage to Research – Methodological Challenges of Performing Arts] Näyttämö ja tutkimus 4. Teatterintutkimuksen seura Helsinki 2012, 9-26. http://www.teats.fi/julkaisut.html
--- 2012 b. Performing Landscape – Notes on Site-specific Work and Artistic Research, Texts 2001-2011 Acta scenica 28, Theatre Academy, Helsinki. http://www.teak.fi/alltypes.asp?menu_id=1704 and https://helda.helsinki.fi/handle/10138/37613
Augé, Marc. 1995. Non-places, Introduction to an Anthropology of Supermodernity.London, New York: Verso.
Barrett, Estelle and Barbara Bolt. 2010. (2007) (eds.) Practice as Research: Approaches to Creative Arts Enquiry. London and New York: Tauris.
Bennett, Jane. 2010. Vibrant Matter – a political ecology of things. Durham and London: Duke University Press.
Berleant, Arnold. 1997. Living in the Landscape. Toward an Aesthetics of Environment. Lawrence Kansas: University Press of Kansas.
Biggs, Michael & Henrik Karlsson. 2011. (eds.) The Routledge Companion to Research in the Arts London and New York: Routledge.
Bonner, Anthony. 1993. (Ed. & Trans.). Doctor Illuminatus - A Ramon Llull Reader. Princeton, New Jersey: Princeton University Press.
Borgdorff, Henk. 2006. The Debate on Research in the Arts. Sensuous Knowledge. Focus on Artistic Research and Development 2/06. Bergen: Kunsthögskolen i Bergen.
---- 2012. The Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.
Hannula, Mika, Juha Suoranta and Tere Vadén. 2005. Artistic Research – Theories, Methods and Practices. Helsinki: Academy of Fine Art and Gothenburg: University of Gothenburg.
Kaye, Nick. 2000. Site-specific art - performance, place, documentation. London and New York: Routledge.
Kwon, Miwon. 2002. One place after another - site-specific art and locational identity. Cambridge, Massachusets – London, England: The MIT Press.
Lepecki, André. 2006. Exhausting Dance – Performance and the politics of movement. New York: Routledge.
Linn, Denise.1999. Feng Shui for the Soul. London: Rider.
Llull, Ramon. 1993. “The Book of the Lover and the Beloved.” (Trans. Eve Bonner). In Anthony Bonner (ed.). Doctor Illuminatus - A Ramon Llull Reader. Princeton, New Jersey: Princeton University Press, 175-237.
Morey i Servera, Pere. 1999. A Tour of Sanctuaries in the Balearic Islands. Rey Sol S.A. Edicions de Turisme Cultural Isles Balears.
Nelson, Robin. 2013. (ed.) Practice as Research in the Arts – Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Norberg-Schulz, Christian. 1980. Genius loci – Towards a phenomenology of architecture. London: Academy Editions.
Rautio, Pessi. 2012. “Älkää katsoko päin” [Don’t look in the face] Taide 5/ 2012, 17-19.
Riley, Shannon R. and Lynette Hunter. 2009. (eds.) Mapping Landcapes for Performance as Research. Scholarly Acts and Creative Cartographies. Basingstoke: Palgrave Macmillan.
Schama, Simon.1996. Landscape and Memory. London: Fontana Press.
Seremitakis, Nadia C. 1994. “The Memory of the Senses, Part II: Still Acts” in Nadia C. Seremitakis (ed.) The Senses still – Perception and Memory as Material Culture in Modernity. Chicago: University of Chicago Press, 23-43.
Artworks mentioned
Arlander, Annette. 2012. The Steaming Earth http://www.harakka.fi/arlander/hoyryava-maa/engl.html
--- 2003 Sitting on a Rock (Rock with text) http://www.av-arkki.fi/en/works/sitting-on-a-rock-rock-with-text/
--- 2002. Murmuring Valley http://www.harakka.fi/2002/nayttelyt/arlander-eng.shtml
--- 2002. Wind Rail http://www.harakka.fi/arlander/tuulikaide/wind-rail.shtml
--- 2000. Where the Sea Begins http://www.harakka.fi/arlander/meri-eng.shtml
Brotherus, Elina 2004. Wanderer 2. http://www.elinabrotherus.com/news/
Friedrich, Caspar David Friedrich. 1818. Der Wanderer über dem Nebelmeer http://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Der_Wanderer_über_dem_Nebelmeer.jpg
--- 1809. Der Mönch am Meer http://commons.wikimedia.org/wiki/File:Caspar_David_Friedrich_-_Der_Mönch_am_Meer_-_Google_Art_Project.jpg
Sooja, Kim. 1999-2001 A Needle Woman http://www.kimsooja.com/videos_multichannel.html