Media:

foto’s

audio

video

tekst

PDF

GIF

 

Sources:

academische artikelen, kranten

tijdschriften

social media

herinneringen

dromen

people

Perspectives:

Etymological perspective

economical perspective

non-human perspective


Mapping tool:

 

Personal positioning


Perspectives:

Education

Jobs

Intersts

Family

Relation(ship)s

Identity


Going through my archive:

Pictures

Drawings

Documents 

Letters

Diaries

Dream notebook


Movies

Books

Songs

Magazines

Websties


People and locations


Imortant objects

 

Essaying as mapping tool

Essaying as (artistic) research method

To make something collective there needs to be a mutual understanding for fruitful engagement and accessibility. For this I am developing a tool for essaying the first step is how to deal with knowledge in essaying, second step would be how to go from mapping to performative essaying. In the article: Essaying through knowledge perspectives and knowledge fragments I theorized how we start essaying thought mapping.

 

The results from the article lead me to researching collectivity in diverse ways, to investigate the relation between the personal and the other. This is still in full process.

Collaboration - Interactivity

How is relationallity practiced?

Ethics and relationality - culures of consent / safeguarding

Ethical dimentions

Ways of knowing:

Personal (embodied, emotional, spiritual)

Identity

Family

Relationships

Education

Work

Hobbies

 

Personal positioning: https://www.researchcatalogue.net/view/1726729/1774809

Emergence

Tools:

Reserach Catalogue

Premiere Pro

VLC

Windows

DochDuckGo

Google Drive

Jitsi

 

Zoteo?

Wiki?

 

Other:

Movies

Songs

Books

Objects

Knowledge fragments:

 

Collectivity in lecture performances


I am developing a method for interaction during and after lecture performance using cards. So far, I have had two opportunities to do so, but I want to develop this further. The cards can be used by public as ‘knowledge fragments’ witch which they can respond to the lecture performances.

PHASE 2:

1 Clustering (20 min)

 

clustering

 

Perform the knoledge fragments in the mind map;

- How do they relate? 

- What is the proximity to the topic/oject?

- What is the proximity to each other?

- Which ones can be clustered?

- feel free to add new keywords/synonyms in your mind map

 

 


 

 

PHASE1

1: Experiential ways of knowing

 

  • How did I personally experience (topic/object) in the past?
  • How do I personally experience (topic/object) currently?


Form:

poetry, diary, song text, play, podcast

 

 

 

For instance:

- Anecdotes / situations / experienes

- Songs or books from your past

- emotions / feelings / physical

- context (house, garden, vacation, car,  etc.)

 

 

 

 

 

 

PHASE 3 Interacting

Collective, colaborative

Connecting, interating, 

 

Sharing with others/public

 

Two television screens

 

 

Who can I ask to contribute to this essying topic/object?

(Subjective, intuitive, empirical, Emotional, spiritual, intangible, primary, lived experience, existential)

Mapping tool:

 

Collectivity in workshops:


Through workshops there are multiple forms of collectivity are being investigated using the mapping tool as described n the article. One is collectivity as interacting with someone’s own topic; one person gives the map to another to contribute to

 

see RC page: Hanze workshop),

 

the other is collectively investigating a topic essayistically

 

see RC exposition: SAR Forum Workshop).

 

See RC exposition: PD Workshop

2: Sensorial ways of knowing

 

  • How does (topic/object) sound? (form = audio)
  • How does (topic/object) feel? (form = object tactility/material)
  • How does (topic) look? (form = visual)
  • How does this (topic/object) move? (form = performative/video)
  • How does it tast/smell? (form = sent/smell reference)

 

This part is not about discussing the questions, but expressing them in the requested form, start drawing, share sounds,exppress movements, try to work through through these forms

 

Record, video, draw, upload,

 

 


(artistic, non-verbal, embodied)



PHASE 3: Contextual - (Inter)relational  (15 min.)

 

  • Who/what is this (object/topic) in relation to?

 

- who/what is affecteded?

- who/what has influence?

- who/what is included/excluded?

- What ways of knowing and what knowledge fields are there lacking/missing?

 

For instance:

- other people

- non-human animals

- nature

- materials

- technology

 

 

How is relationallitypracticed?

Ethics and relationality - culures of consent / safeguarding

Ethical dimentions

 

Mapping tool:

 

Collectivity in topics


There are three critical friends that I give access to my topical maps, they can contribute with their own references and responses. I have also sought contact with three potential collaborators on the topic On Pitbulls, I am still in the process of investigating the type of collectivity or interaction I am looking for and can ask of in an ethical manner. At the moments it is organizing conversations

 

Ginger Naps (PhD candidate USA)

Jiska Jansen (PhD candidate VU)

Save our bullies (Protest group, UK)

 

RC page: On Pitbull's

2 Constellation

Network, constellate, Structre, mapping, sampeling,narratief, sequesntie, sequence

 

sampling 

tussenruimtes

interaction

 

Choose a cluster

choose a form

 

Interact: how do the knowledge fragments interact? 

- Is there friction?

- Are there paradoxes?

 

 

 Mapping tool:

 

Collaboratieve mapping- word cloud


 

RC exposition: SAR SIG Artistic essaying and pedagogy research group


Mapping characteristics together 

(Objective, Theoretical, discursive, cognitive, reasoning, logic, analytical)

3: Rational ways of knowing

 

  • How does the (topic/object) relate to theoretical sources? 

 

Choose knowledge perspectives:

note: chose at least 2 you unfamiliar with

- historical perspective

- economical perspective

- political perspective

- material research perspective

- Law etc.

 

Per perspective look at different sources:

- news/media articles

- academic papers/books

- dictonary/etymological definitions

 

 

3 (Inter)relationality  (15 min.)

 

  • Who/what is this (object/topic) in relation to?

 

- who/what is affecteded?

- who/what has influence?

- who/what is included/excluded?

- What ways of knowing and what knowledge fields are there lacking/missing?

 

For instance:

- other people

- non-human animals

- nature

- materials

- technology

 

 

 

 

 

Nirav, creative incubatie

 

Wakker zijn

 

 

 

Collaboratieve space: Wrap


 

RC exposition: FAA Research space WRAP


People:

- different educatioal levels (amateur, BA, MA, PhD, professor)

- different diciplines

- different institutes/contexts

- different topics