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BIBLIOGRAPHY

Messiaen, Olivier. THE TECHNIQUE OF MY MUSICAL LANGUAGE, (Paris, Alphonse Leduc, 1944). 


Mann, Sally. HoldStill, (BACK BAY BOOKS, 2015).


Buene, Eivind. ENMANNSORKESTER, (Cappelen Damm, 2010).


Cixous, Hélène. Le Rire de la Méduse, (Essay, 1975).


Cixous, Hélène; Cohen, Keith; Cohen, Paula; The Laugh of the Medusa (The University of Chicago Press, 1976). 


Kandinsky, Wassily. Point and Line to Plane, (Dover Fine Art, History of Art 1979).


Fosse, Jon. Je suis le vent, "Scène ouverte" (Montreuil: L’arche, 2010).


Bassani, Florian. Römische Mehrchörigkeit des 17. Jahrhunderts (selfpublished 2017?).


Haas, Georg Friedrich. "Mikrotonalitäten als Kompositionselement", Österreichische Musikzeitschrift 54, no. 6 (1999) 9–15.


Ferneyhough, Brian; James Boros / Richard Toop; Collected Writings (harwood academic publishers 1997).


Mattheson, Johann. Das Neu-eröffnete Orchestre (Nabu Press 2011).

Rameau, Jean-Philippe. Treatise on Harmony. (Dover Books On Music: Analysis 1971).

Koch, Heinrich Christoph. Versuch einer Anleitung zur Composition (Hanse 2021).

Riemann, Hugo. Handbuch Der Harmonielehre (Legare Street Press 2022).

Schönberg, Arnold. Harmonielehre (‎Universal Edition 2005).

L'ancien Testament (Edition du Chêne, 2005).

DAS NEUE TESTAMENT (Haffmans verlag bei Zweitausendeins 2011).

Musashi, Miyamoto. The Book of Five Rings. (Shambhala Publications 2005).

Kakuzo, Okakura; Richardson, Bruce. The Book of Tea (Benjamin Press 2005).

Kundera, Milan. The Book of Laughter and Forgetting (Harpercollins 1999)
 
Pessoa, Fernando. The Book of Disquiet (Serpent's Tail 2018).
 
Truong, Monique. The Book of Salt (Vintage 2004).

Connolly, John. The Book of Lost Things (Hodder Paperback).

Grisey, Gérard. Tempus ex Machina: A Composer's Reflections on Musical Time, Contemporary Music Review 1987, Vol. 2 pp. 239-275) https://edisciplinas.usp.br/pluginfile.php/4185500/mod_resource/content/1/GerardGrisey%20TempusexMachina.pdf [accessed 14. March 2024]


Grisey, Gérard; Fineberg, Joshua. Did you say spectral? (Contemporary Music Review 2000, Vol. 19, Part 3, p. 1-3)

https://doi.org/10.1080/07494460000640311 [accessed 14. March 2024]

 

Anderson, Julian. A provisional History of Spectral Music (Contemporary Music Review 2000,Vol.19, Part2, p. 7-22)

https://music.arts.uci.edu/abauer/5.4/readings/Anderson_provisional_history_spectral.pdf [accessed 14. March 2024]

 

Borgdorff, Henk. "The production of knowledge in artistic research". The Routledge Companion to Research in the Arts. (Routledge, 2010).

https://www.academia.edu/1748276/The_Production_of_Knowledge_in_Artistic_Research_Henk_Borghoff_2012 [accessed 14. March 2024]


Ellen Kristine Ugelvik, ‘The soloist in contemporary piano concerti‘, Norwegian Academy of Music, 1 (2018) 

https://www.researchcatalogue.net/view/31172/306688/0/0 [accessed 14/03/2024]

 

Jennifer Torrence, ‘Percussion Theatre: a body in between‘, Norwegian Academy of Music, 2 (2019)

https://www.researchcatalogue.net/view/533313/534335/0/0 [accessed 14/03/2024]

 

Darla Crispin, ‘Artistic Research as a Process of Unfolding‘, Norwegian Academy of Music, 3 (2019) 

https://www.researchcatalogue.net/view/503395/503396[accessed 14/03/2024]


Ane Thon Knutsen, ‘En egen trykkpresse‘, VIS - Nordic Journal for Artistic Research, 4 (2020)

https://www.researchcatalogue.net/view/598364/602024/0/0 [accessed 14/03/2024]


Andreas Borregaard, ‘Just Do It! Exploring the musician's (use of) bodily performance‘, Norwegian Academy of Music, 8 (2023)

https://www.researchcatalogue.net/view/1926394/1928567/0/0 [accessed 14/03/2024]


Janne-Camilla Lyster, ‘Koreografisk poesi: Utvikling av litterære partiturer for dans‘, Research Catalogue (2023)

https://www.researchcatalogue.net/view/775315/775316/0/0 [accessed 14/03/2024]

FILMOGRAPHY


Tarkovskij, Andrej, director. Ivan's Childhood.  Mosfilm, 1962. 94 min. 

The audio recordings and pictures in the "PIECES, CHORDS AND PRECARITY" section and the video recordings and pictures in the "SWITCHING PLACES" are used under the fair use doctrine for educational purposes and nonprofit research, criticism and commentary.

EXCERPTS of recordings in "PIECES, CHORDS AND PRECARITY" in chronological order

 

FLÜGEL

     NDR Elbphilharmonieorchester, conductor: Alan Gilbert, 02.02.2023 Elbphilharmonie Hamburg, D

NEROLI

     Münchener Kammerorchester, conductor: Enrico Onofri, violin: Carolin Widmann, 28.04.2022    

     Prinzregententheater, München, D

     Swedish Chamber Orchestra, conductor: Adrien Perruchon, violin: Carolin Widmann, 11.11.2022, Örebro, S

     L’Orchestra Filarmonica Vittorio Calamani, condcutor: Tito Ceccherini, violin: Carolin Widmann, 14.04.2023
     Orvieto, I
JUBELHEMD
     Gothenburg Symphony Orchestra, conductor: Johannes Gustavsson, 10.02.2022, Gothenburg, S
     Swedish Radio Symphony Orchestra, conductor: Fredrik Burstedt, Berwaldhallen, Stockholm, S
     Symphonieorchester des Bayerischen Rundfunks, condcutor: Johannes Kalitzke, Herkulessaal, München, D
BALLHAUS
     Niedersächsisches Staatsorchester, conductor: Stephan Zilias, 7.05.2023, Staatstheater Hannover, D
ISHJÄRTA
     Berliner Philharmoniker, conductor: Kirill Petrenko, 10.06.2023, Berlin, D
VIDEO MATERIAL

@berlinphil. “ISHJÄRTA”, Instagram video. June 9, 2023 https://www.instagram.com/p/CtRZFkmqbuX/ [Accessed March 13, 2024]

PICTURES

 

Sally Mann, The Perfect Tomatoe 1990, Gelatin silver print, 8x10 inches ©Sally Mann https://www.guggenheim.org/artwork/10396 [accessed 13. March 2024]

Markus Schinwald, Jubelhemd 1997, MAGASIN III, Museum for Contemporary Art https://magasin3.com/en/artwork/jubelhemd-2/ [accessed 13. March 2024]