Anno 1284
Am Dage Johannis et Pauli
War der 26. Junii
Dorch Einen Piper
Mit allerley Farve bekledet gewesen
CXXX Kinder verledet
Binnen Hamelen geboren
To Calvarie bi den Koppen verloren.
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This project investigates Western musical instruments as being critical and even dangerous sites, which should be approached with the greatest of caution. Approached as liminal interfaces between the living and the dead, suspended between past(s) and present(s), turning these instruments into both paranormal and parasitic sites, which should be treated as such. Instruments as pathological contaminated bodies of parasitic discourse ready to jump at you and embed themselves in you, sedimenting within you and, subsequently, playing you. Instruments as haunted sites saturated with ghostlike matters of toxoplasmatic ectoplasm, fostering ghosts with the capacity to possess and inflict pain on to other bodies, active in the past as well in the present. With an interest in the notion of instrumentalization and what instruments can mean, control, and do to bodies, instruments are approached from a safe(r) distance through different (group) interventions, raising questions on how best to emolliate and soften the instrumental body? How to soften the big silent? How to soften the sedimented?
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Anno 1284
Am Dage Johannis et Pauli
War der 26. Junii
Dorch Einen Piper
Mit allerley Farve bekledet gewesen
CXXX Kinder verledet
Binnen Hamelen geboren
To Calvarie bi den Koppen verloren.