CONTENTS

 

 

1. INTRODUCTION

1.1. Why vocal music

1.2. The idea of the natural gesture

 

2. THE PRELINGUISTIC STAGE

2.1. How it started

2.2. The magician

2.3. The trap

2.4. A personal observation

2.5. Vernacular language

2.6 Chronological linguistic acquisitions

 

3. THE APHASIC LANGUAGE

3.1. How it started

3.2. The game of words

3.3. The relation

 

4. THE QUESTIONS

4.1. Words are prisons to escape from


5. THE DIAGRAM

5.1. Blocks

5.2. Terms


6. ANALYSIS OF TERMS

 

7. COMPOSITIONAL APPLICATIONS

 

8. SOURCES

8.1. The meter

8.2. The nature of the source

8.3. Recognizability of the source

 

9. ETHICAL CONSIDERATIONS

 

10. IS THE TEXT EVEN NECESSARY?

 

11. SPIRITUAL CONSIDERATIONS

11.1. Carl Jung

11.2. The dark side of the psyche

11.3. The importance of Jungian theory for this paper

11.4. Lalanguage and Monolingualism

11.5. A “complete” process

 

12. CONCLUSIONS

 

REFERENCES




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