Researchers

Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Cecilia Berghäll
scenography, time, transience, aesthetics, fragility, site-sensitive performance, materials, rhythm
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Cecilie Michelle Le Divenah
production process, school
Anna Lorenzana
Image-based media;, computer interface history, archival art practice, Archival Research, power structures in the systematics of public administration, sculptural arts, archaeological imagnation, site-specific narratives, sculptural practice
Sharin Foo
immersive performance, Spatial Audio, spatialization, music
Majid Sarnayzadeh
Performance studies, cognitive science, cultural anthropology, Theater studies, social change, Social Studies
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction