Researchers
Åsa Unander-Scharin 
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Andrew Bracey 
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Jamie Savan 
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Tina Auer 
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Greg Bruce 
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Anna Nygren 
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Šárka Zahálková 
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology
Dorian Vale 
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory