Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Maria Huhmarniemi
community art, socially engaged art, environmental art, art education, arctic, sustainability
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Anne Hytta
artistic research, traditional music, Practice-as-research
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Camila Chavez
Espacio Público, urbanism, Movimentos Sociales, mobility, diseño