Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Andrew Bracey
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume