Researchers
Hanna Järvinen 
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Lucia D'Errico 
music, post-structuralism, electronic music, video performance, graphic design, Deleuze, Derrida, performance, materiality, lacan, epistemology, sound, Speculative Realism, New Materialism, non-human, Algorithmic Composition, experimentation, machine
Josué Moreno Prieto 
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Jamie Savan 
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Danica Maier 
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Behzad Khosravi Noori 
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Georgios Varoutsos 
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Alex Hale 
art, Archaeology, landscape, graffiti, inscription, practice-based, contemporary archaeology
Sarah Bennett 
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Laureen Mahler 
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
