Research Catalogue

Jens Badura

culture and aesthetics, creative economies

Tuija Kokkonen

Andrew Brown

Hanna Hartman

Daniel Franz

Trond Engum

Pieter Koster

Sonam Chaturvedi

visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space

Manuel Macía

coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research

Erik Friis Reitan

PHOTOGRAPHY, photosculpture, installation, Installation Art, phenomenlogy, Object Oriented Ontology, land art, Minimalism, visual art, zen, space, spacial art, landscape, ecology, technology, nature, sublime, contemporary dance, Media Arts, Physics, Astronomy, Natural Agency, Immersive Environments, immersive theatre, Artificial Intelligence (AI)

Scott McLaughlin

materiality, indeterminacy, spectral, failure, contingency, networks

Maria Walczuk

Nicolas Pierre Alexandre (NPA) Roudier

Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music

David Rych

migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology

Carlos Negrín López

Tomi Herseta Bayu Sukma

ADRIÁN CRESPO BARBA

Martí Ruiz i Carulla

sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art

Mafalda Deville

contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences

Francisca Skoogh

performance, western classical music, artistic research, psychology

Tessa Miller

Fulya Uçanok

Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.