Linda H. Lien
visual communication, community, place, identity, belonging
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Elina Seye
ethnography, performance, embodiment, dance, music, Senegal
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Pedro Amado
type design, typography, interaction design, creativity, creative coding, creative computing, web design, design, graphic design, editorial design, interface design, Human-Computer Interaction
Jamie Philbert
phenomonology, performance, martial arts, african cosmologies, african diaspora, Caribbean, Poetics of relation, poetics of knowledge, Embodied knowledge, embodied methodology, extrasomatic embodiment, Black Atlantic, futurism, Black Atlantic futurism
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths