Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Doris Ingrisch
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Ilpo Jauhiainen
Complexity, ecology, emergence, Environment, generative music, sound, soundscape, sound art, AI, Societal Challenges