Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Tero Nauha
non-philosophy, post-humanism, afrofuturism, schizoanalysis, New Materialism, heresy, visual cultures, capitalism
Arja Karhumaa
typography, text art, artistic research, new materiality, publishing, artist books, book design, graphic design
Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
Paul Craenen
artistic research, contemporary music, Aesthetics and Theory of Arts, Embodied knowledge, Intermedia, education
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio