Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Zoe Sadokierski
book design, ecological ethics, graphic design, Literature, VISUAL CULTURE, visualisation, paratext, visual communication, visual communication design, publishing, documentation, process oriented practices, critical practice
Susana Castro Gil
Transcreation, Contemporary Colombian Art, contemporary music, multimedia, virtuoso
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Rasmus Kloster Bro
cinema, virtualization, virtual art, Storytelling, FILM, Film-making, sketch; draft; test, manuscripts, experimentation, collaboration
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Rah Eleh
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art
Richard Mills
tipping point, abstraction, representation, blocking, viewer engagement