Mark Tatlow
early music performance, early opera, embodied research, the musical event
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Barbara Graf
Body based art, artistic research, phenomenlogy, lived experiences, drawing, Textiles
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Pedro Neto
Photography, documentary, architecture, artistic processes, archive, imaging
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Vadim Keylin
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality