Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Bella Merlin
acting, Shakespeare, Directing, verbatim, song-writing
Dumond Camille
artistic research, art, artschools, switzerland research community
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Joanna Warsza
Public sphere, politics, activism, performativity, curatorial, feminism, politics of memory, Eastern Europe
Raf Brouns
Music Education, music theory, Musical Cultures
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
Anja Plonka
somatics, gaia, trauma healing, ecology, ecological trauma, Water, scores, perfomance for camera
Nicola Visser
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices