Tomi Humalisto
light, aesthetics, Technology in Education, education, performance
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Manuel Macía
coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
Rachel Horst
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
sergio marchesini
art based research, audio-visual, AI, speculative fiction, Musical Cultures, ethnomusicology, electroacoustic music
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism