Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Ylva Gustavsson
FILM, Film-making, collaborative film making, Film Directing
Pinzón Lizarazo Oscar Daniel
Paper engeneering, Fanzine, Comic, ecology, circular economy, artistic research, art education, artist book, non-conventional supports, editing, migration, movement, Transposition, Free culture, Storytelling, Transduction, Translation, Transdiciplinary Colaboration, Transmediality, Graphic storytelling
Majid Sarnayzadeh
Performance studies, cognitive science, cultural anthropology, Theater studies, social change, Social Studies