Luc Döbereiner
music, aesthetics, technology, sound art, materiality, composition
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Dion Star
process, process oriented practices, writing, material writing practices, film, trialogue, gestures, gesture, art, oulipo, flusser, pseudo writing
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Nicola Visser
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices