Researchers
Joa Hug 
experimental writing, unfinished thinking, embodied research, Body Weather, epistemology, methodology
Åsa Unander-Scharin 
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Franziska Schroeder 
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Rachel Kaminski Sanders 
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Monica Clare van der Haagen-Wulff 
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Liesel Dom 
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Rachel Horst 
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Madeleine Campbell 
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
