Arild Berg
Action Research, Contemporary art, participation, participatory design, digital production techniques, participatory democracy, ceramics, digital production culture
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Katri Hirvonen-Nurmi
Cultural Institutions, cultural policy, Indigenous peoples, social anthropology, socially engaged art
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Francesca Guccione
music, musicology, Jóhann Jóhannsson, film music, Music editing, music production, violin, Music philosophy