Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Vidmina Stasiulyte
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Matthias M Sildnik S
Generative systems, Conceptual art, installation, Philosophy of technology, Generative Artificial Intelligence, Media Arts
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Elena Cirkovic
more-than-human, more-than-human realms, space / place, earth processes, planetary boundaries, traditional art, sustainability, sustainable architecture, landscape, space, spaceflight, forest dynamics, animal ethics, darkness, day and night, daylight, Arctic art, arctic, Balkans, transdiciplinarity, Trauma; Memory;