Researchers
Jim Harold 
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Rikki Wolpowitz 
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Paul Vickers 
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Jeffrey Cobbold 
digital sound studies, electro-acoustic/experimental music, field recording practices, sound art installation, language-based artistic research, personal digital storytelling, worship arts/Christian education, video production
Behzad Khosravi Noori 
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Sergio Montero Bravo 
artistic research, art, design, architecture, ecologies, rural encounters, education
Johannes Maria Schmit 
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Gareth Somers 
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Joana Braga 
urban space, Spaces in between, space and body, time and space, performance; landscape; video; sound; installation
Camilla Carlsen 
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Maarten Dillen 
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Ettore Cauvin 
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Riikka Maria Talvitie 
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Šárka Zahálková 
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology