What is a musical error? by Erika Matsunami

This research is in connection with „N.N-ZWISCHENLIEGEND“ – NON-CALCULABLE TIME, SPACE AND BODY, consequently on auditory perception 'seeing-in', in a part of research regarding these of evolutionary linguistics. Therefore I explore the multisensory philosophical approach Beyond Vision, Casey O’Callaghan (Oxford: Oxford University Press, 2017) from the aspect of auditory perception practically and theoretically, in the field of sonic art, aesthetics, and philosophy (of art) which relate to cognitive neuroscience. I explore the subject “auditory and multisensory perception” in his approach of which takes the forms of perception and awareness among senses beyond vision in his theses, I also deal with his theses in the process of exploring an account of ästhetisches Dasein. (Translation, Transcription and Coding in contemporary music.)

References

Notation:

O'CALLAGHAN, Casey,

SUPPER, Martin,

FUCHS, Thomas and DE JAGHER, Hanne, Enactive intersubjectivity: Participatory sense-making and mutual incorporation (Phenomenology and the Cognitive Sciences, 8(4), 2009) 465-486.

HUDSON, Mark J., Socio-ecological resilience and language dynamics: An adaptive cycle model of long-term language change (Journal of Language Evolution, 2019) 19–27.

O'CALLAGHAN, Casey,

CAGE, John,

KONTELANET, Richard

MEHRING, Frank,

ROTH, Moira,

SUPPER, Martin,

Language:

Noise:

Project:

MERSCH, Dieter, MAHNKOPF, Claus-Steffen (ed.), „Medial Pardoxes: On Methods of Aesthetic Production“, Critical Composition Today, New Music and Aesthetics in the 21st Century Vol. 5, Hofheim: Wolke Verlag, 2006, pp. 62–74

Experimental lab:

CASSIRER, Ernst, Das Erkenntnisproblem in der Philosophie und Wissenschaft der neueren Zeit, Berlin: Verlag Bruno Cassirer, 1922

CASSIRER, Ernst, Kants Leben und Lehre, Ernst Cassirer (1874 - 1945)

MERLEAU-PONTY, Maurice, Phenomenology of Perception (Phénomènologie de la perception), Paris: Gallimard, 1945, trans. Kegan Pauls, New York: Routledge, 1962

RECKI, Brigit, Aura und Autonomie: Zur Subjektivität der Kunst bei Walter Benjamin und Theodor W. Adorno, Würzburg: Königshausen u. Neumann, 1988

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