VFX as a versatile tool
The newly coined nomenclature
Inductive storytelling analysis
Telling stories in another dimension
The golden ratio of progress
Looking to the future
References

_ References
  • Bernardo, Nuno “Transmedia 2.0 : how to create an entertainment brand using a transmedial approach to storytelling” (beActive Books, Lisboa 2014), p. 117
  • Bloch, Christian “The HDRI handbook 2.0 : high dynamic range imaging for photographers and CG artists” (Rocky Nook, Santa Barbara, Calif 2012), p. 440
  • Bayles, David; Orland, Ted “Art & fear : observations on the perils (and rewards) of artmaking” (Image Continuum Press, Santa Cruz, Calif 2001), p. 59
  • Caldwell, Craig  “Story structure and development : a guide for animators, VFX artists, game designers, and virtual reality” (Taylor & Francis, a CRC title, part of the Taylor & Francis imprint, a member of the Taylor & Francis Group, the academic division of T&F Informa, plc; Boca Raton 2017), p. 26, 36
  • Edwards Betty “Drawing on the right side of the brain : a course in enhancing creativity and artistic confidence” (Souvenir, London 2013)
  • Finance, Charles “The visual effects producer : understanding the art and business of VFX” (Elsevier/Focal, Amsterdam 2010), p. 22
  • Grage, Pierre “Inside VFX : an insider's view into the visual effects and film industry” (s.n., S.l. 2015, 2nd ed.), p. 129
  • Gurevitch, Leon “Cinema, Video, Game” in “Cinematicity in Media History” (Edinburgh university press, Edinburgh 2013), p. 189
  • Jenkins Henry “Convergence culture : where old and new media collide” (New York University Press, New York 2006)
  • Jerald, Jason “The VR book : human-centered design for virtual reality” (ACM Morgan & Claypool, S.l. 2016), p. 50
  • Kleon, Austin “Steal like an artist : 10 things nobody told you about being creative” (Workman, New York 2012)
  • Maestri, George “ZBrush” (CGW Computer Graphics World, Volume 23, Issue 12, December 2000 http://www.cgw.com/Publications/CGW/2000/Volume-23-Issue-12-December-2000-/ZBrush.aspx) [accessed 20 December 2018]
  • Manovich, Lev “NURBS theory | conceptualizing cultural processes: from discrete categories to continuous curves” (http://lab.softwarestudies.com/2008/12/theory-for-nurbs-era-from-timelines-and.html) [accessed 25 December 2018]
  • Majewska Joanna, Sasin Magdalena “The organ at The Arthur Rubinstein Philharmonic in Lodz” - Krzysztof Urbaniak (The Arthur Rubinstein Philharmonic in Lodz, Lodz 2014), p. 18
  • Manovich, Lev "The Language of New Media" (MIT Press, Cambridge, Mass 2001), p 148, 150
  • Murch, Walter “In the blink of an eye” (Silman-James Press, Los Angeles 2001, 2nd ed.), p. 108, 126
  • Pressfield, Steven “The war of art : winning the inner creative battle” (Black Irish Entertainment, New York 2002)
  • Ross, Dick; Norwegian Film School “Training the trainers” (Norwegian Film School, Lillehammer  2004)
  • Seymour, Mike “A way forward for the VFX industry” (December 1, 2014, https://www.fxguide.com/featured/a-way-forward-for-the-vfx-industry/) [accessed 28 December 2018]
  • Spinrad, Paul “The VJ book : inspirations and practical advice for live visuals performance” (Feral House, Los Angeles, Calif 2005), p. 24, 166
  • Vermeersch, Bjorn “Miniaturalis : macro worlds in micro vision” (CreateSpace Independent Publishing Platform, S.l. 2016)
  • Zhang, Chenyan; Perkis, Andrew; Arnd, Sebastian “Spatial Immersion versus Emotional Immersion, Which is More Immersive?” (Department of Electronic Systems, Norwegian University of Science and Technology, (NTNU) Trondheim 2017) p. 1
previous page
2019 >> Rafal Hanzl >> Ways of expression: the impact of VFX technology on modern storytelling in film and interactive media production.