This site will be dedicated to documenting the compositions of Morten Eide Pedersen (1958-2014).
We will start with a list of works in alphabetical order, with comments and links this to materials we have found.
You can listen to recordings we have found by each title, and find more information about the piece by clicking the title.
4 preludier over sonettene til Vivaldis Quattro Stagioni
- Vår
- Sommer
- Høst
- Vinter
Som elektroniske introduksjoner til hver av de fire konsertene.
[These materials were reused in the collaborative piece "Every Here is such an Every Where"]
Amadeus
Musikken til Peter Schaeffers oppsetning på Den Nationale Scene på Den Nationale Scene
[We have found 34 tracks. The recordings of mostly Mozart and Salieri have not be identified, and we will not have the rights to upload them here.]
Blåsekvintett
Bratsjsolo
[Performed by Hans Gunnar Hagen. We have a graphical score, Ableton files, and recording sessions.]
Currentes project
[Jostein Gundersen will be able to give more information.]
Every Here is such an Every Where
Kollektivt EA-verk, komponert sammen med Ruben Sverre Gjertsen og Berge Osnes.
Fanfaresque
[Hand written manuscript for one insturment.]
Horisonter
For skoleorkester (Sortland Musikkskole)
Impossible Images
Live filmmusikk (piano) til Len Lyes "Free Radicals" (Music Factory- prosjekt)
[The score has been scanned.]
It is only time that weighs upon our hands
Fem. voice + tape, alt. live EA.
[For Silje Birgitte Folkedal.]
Parabel I
For kammerensemble (Bit 20).
[The score has been scanned.]
For to slagverkere (BIT20 percussion).
Paysage II
EA-verk i to varianter, med eller uten improviserende følgeinstrument.
(bratsj eller sax)
Scoccare (Tagesbücher XVIIb)
For solo fløyte og digital delay.
[XVII er original (?), XVIIb er for fløyte. ]
Slowness Studies - Framework I
For solo piano.
Soccorsi
Permutasjoner for solo piano.
Storyboard
For improviserende saxofonist [Frode Gjerstad] og strykekvartett.
The fragility of paper (Tagesbücher)
Live EA, amplification, sound effects andfeedback circuits, sheets of paper in various qualities and sizes. Mics are to be used as ʻnear-fieldʼ sensors for paper movement by the performer/s.
[Performed with Craig Farr.]
The sound of water (Tagesbücher)
Live EA, amplification, feedback circuits, various glass items, water containers.
[Performed with Ruben Sverre Gjertsen.]
Installasjon til Villaen på Troldhaugen, (fellesprosjekt med Ruben Sverre Gjertsen og Sigurd Fischer Olsen.) (AVGARDE januar 2012)
[Uploaded and documented here. This consist of 3 stereo loops.]
T. S. Elliot impressions
- Ash wednesday
- The light that fractures through unquiet water
- Time and Bell have buried the day - At the still point of the turning world
- Other echos inhibit the garden
- I know the voices dying
For solo piano.
Wall of light
Trombonekonsert (skrevet for Tromsø Kammerorkester og trombonesolist).
Fire varianter av samme kortfattede musikalske idé (ca. 2ʼʼ), som progressive kommentarer som settes inn som 'ritornell' mellom andre selvstendige verker, eller mellom tekstopplesninger. To varianter: rent elektronisk panorama, eller med tillegg av improviserende sax.
[There are 5, not four, movements.]
When Silence Becomes Singing
Sax, perc.