Content overview of the artistic research project
Crafting Material Bodies – exploring co-creative costume processes
Abstract
At the heart of this research are relational encounters between people and textile materials. As the title, Crafting Material Bodies, indicates, the research explores how human bodies are crafted by material bodies (costume) and vice versa. In the research textile materials and people are my co-creators and as co-creators they are invited to relate to, affect and become affected by other human bodies and more-than-human materials. As the subtitle, exploring co-creative costume processes, indicate the main quest is to explore how we (humans) co-create with textile and costume materials and to explore how textile and costume materials become equal co-creating partners.
In three artistic projects I invite fellow artists, like performers and designers, to explore specific connecting costumes (that connect two or more people) with me. As co-creators I invite them to engage, respond, inform, influence and/or interrupt our costume explorations in ways that matter to them and to critically reflect on our explorations. In the projects I study how listening become instances of relational acts or entanglements between humans and more-than-humans that evoke curious embodied and conversational dialogues. Such dialogues are invitations to listen with the textile and costume materials, with our bodies, to share embodied experiences, to co-create and to elaborate on the various creative perspectives. During the artistic projects I act as more than an observing designer/researcher. I am the host that have crafted the costumes in collaboration with the textile materials and as host I also actively take part in exploring what the costumes evoke. The goal is to explore how being a participating host affects the explorative costume situations.
The research has four focal themes – crafting, listening, hosting and co-creating – which are explored though three artistic projects. The artistic project AweAre, a movement quintet, explores the act of listening, Community Walk explores the act of hosting and Conversation Costume explores the act of co-creating, while all three projects explore different aspects of crafting. As the themes are entangled, all three projects contain aspects of the four themes.
With this research I suggest that it is critical that we, in co-creative situations, cultivate our abilities to listen with human and more-than-human others, and I argue that textile and costume materials are mediums that enable us to do so. With this research my ambition is to formulate ideas on co-creative methods that value material-discursive listening and where the hosting attitude is orientated towards the communal doings. The aim is that listening with costume and hosting with communal hospitality towards our listenings become tools for designers to gain a deeper understanding of how costume affects performers, and the boarder scope is that the research contributes to discussions on how teams can collaborate with humans and more-than-humans in more generous and inclusive manners. One example is that we acknowledge that our different disciplinary perspectives are creative possibilities in our common doing and that we recognise that how we share and exchange our differences has an impact on how we flourish co-creatively with our human and more-than-human co-creators.
How to navigate the thesis
- You can navigate between parts and pages by clicking on the figurative icons and by clicking on what is highlighted in blue.
- Photo credits and other relevant information emerge when you mouseover photos. Most photos also have a pop-up function that allows you to view larger versions of the photos.
- When names and other elements are highlighted (in blue) in the texts this is a link to specific places in the thesis or to an external website.
The organisation of the artistic projects is inspired by Karen Barad’s concept of ‘cutting-together-apart’ (Barad 2014, 168). With this concept Barad argues that research can never produce absolute separations of entangled parts of research phenomena, while at the same time the concept is a method to cut into these entangled parts. The concept is further unfolded here (link).
As you enter the three artistic projects you will encounter a short introduction to the specific project and an icon that has several entry points or paths (highlighted in blue). Each path cuts into specific areas of the project and consists of compositions of texts, videos, photos and/or sound files. In each of the three projects I explore the relationships that emerge and my ambition is that the voices and perspectives of my co-creators are present. This research rests within artistic research (link) and I have chosen a personal reflective tone in the projects. Other than that, there are aspects of the artistic projects that remain unexplored as they fall outside the scope of this research.
Please click on any of icons to enter one of the three artisitc projects:
In each of the three artistic projects I invite you to explore the pathways in any order. I am aware that the non-linearity of how the artistic projects are composed can at times be confusing. At the same time, my hosting attitude in the artistic projects implied that the co-creative approach welcomed our different interpretations and perspectives present. In similar and yet different manners, I suggest that there are multiple ways to enter and dive into this research. As such, the paths are invitations to be playful, surprised, speculative, doubtful or whatever you experience when you create your way through the three artistic projects that forms this research project.
