10. Bibliography

Alfvén, H., & Thiel, E) Skogen sover Op28:6. [Sheet music] Abraham Lundquist https://vmirror.imslp.org/files/imglnks/usimg/4/48/IMSLP191003-PMLP328957-Alfven_Skogen_sover1.pdf

Allsup. R. E. (2011). Popular music and classical musicians Music Educators Journal, 2011(March), 30-34.

Anthony, B. (2020, 06 February) Mixing as a performance: creative approaches to the popular music mix process. Journal on the art of record production.https://www.arpjournal.com/asarpwp/mixing-as-a-performance-creative-approaches-to-the-popular-music-mix-process/

Baca, R. (2010, 17 November). Long and Winding Road: Matt Bellamy of Muse. The Denver Post.
https://www.denverpost.com/2010/10/04/long-and-winding-road-matt-bellamy-of-muse/

Barrett, E: Introduction. (2007) In Barrett, E & Bol, B (Eds). Practice as Research: Approaches to Creative Arts Enquiry. I.B Tauris.https://research.usq.edu.au/download/4251c3c74aa604461f066ed0619dac74ea8d5374379188bcf3f82e58c6f33403/1091971/docs.pdf

Bell, A. P. (2013). Oblivious Trailblazers: Case studies on the role of recording technology in the music-making processes of amateur home studio users. [Doctoral dissertation]. New York University.

Bennett, J. (2011). Collaborative Songwriting: The Ontology of Negotiated Creativity in Popular Music Studio Practice. Journal on the Art of Record Production, (Issue 05),1-18.https://www.arpjournal.com/asarpwp/collaborative-songwriting-%e2%80%93-the-ontology-of-negotiated-creativity-in-popular-music-studio-practice/

Bennett, J. (2012). Constraints, Collaboration and Creativity in Popular Songwriting Teams. In D. Collins [Ed.], The Act of Musical Composition: Studies in the Creative Process (p. 139-170). Ashgate Publishing.

Bennett, J. (2013, December).“You Won’t See Me” – In Search Of An Epistemology Of Collaborative Songwriting. Journal on the Art of Record Production https://www.arpjournal.com/asarpwp/%e2%80%9cyou-won%e2%80%99t-see-me%e2%80%9d-%e2%80%93-in-search-of-an-epistemology-of-collaborative-songwriting/

Bhatara, A., Laukka, P. & Levitin, D. J. (2014). Expression of emotion in music and vocal communication. Frontiers Media SA. 

Bodley, L. B. (Ed.). (2017). Introduction. Rhapsody and Rebuke: Goethe’s Faust in Music. In Music in Goethe’s Faust: Goethe’s Faust in Music (pp. 1–20). Introduction, Boydell & Brewer. https://www.cambridge.org/core/books/music-in-goethes-faust/introduction-rhapsody-and-rebuke-goethes-faust-in-music/81DB61F8441640EE7B638507B195E6A3?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark

Bolt, B. & Vincs, R. (2015, 23. June). Straw Godzilla: Engaging the academy and research ethics in artistic research projects. Educational Philosophy and Theory. https://doi.org/10.1080/00131857.2015.1044929 

Borem, F. (2020). Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo!. Revista Vórtex, Curitiba, v.8, n.2, p. 1-18. https://doi.org/10.33871/23179937.2020.8.2.7

Borgdorff, H. (2011). The production of knowledge in artistic research. In (Biggs, M. & Karlsson, H. Ed) The Routledge companion to research in the arts. London: Routledge.

Borgdorff, H. (2012). The Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden University Press.

Borgdorff, H., Peters, P. & Pinch, T. (2020). Dialogues between Artistic Research and Science and Technology Studies. New York & London: Routledge.

Brahms, J. (1926-1927). Sämtliche Werke, Band 9: Klavier-Trios: Trio für Pianoforte, Violine und Violincell, op.8, neue Ausgabe. [Sheet music]. Breitkopf & Härtel. (Originally published in 1891).

Brahms, J. (1987). 4 Klavierstücke, Op.119 no 1. [Sang innspilt av R.Lupu.] On Brahms: Piano Pieces, op.117, 118, 119. Decca Music Group Limited. (Originally published in 1893)

Brown, M.J.E. & Sams, E (1980). The New Grove Schubert (1982). Papermac.

Büchert, M. (2024). The Music Producer as Artistic Co-creator. Research Catalogue. https://www.researchcatalogue.net/view/2293686/2869305/0/0 [accessed 08/11/2024]

Candlin, Fiona (2000). Practice-based doctorates and questions of academic legitimacy. London: Birkbeck ePrints. http://eprints.bbk.ac.uk/737/

Cook, N. (2015). Performing Research: Some Institutional Perspectives. In Dogantan-Dack, M (Ed.), Artistic Practice as Research in Music: Theory, Criticism, Practice. Routledge.
https://www.book2look.com/embed/9781317178200

Cooper, J. M. (2017). Faust’s Schubert: Schubert’s Faust. In L. B. Bodley [Ed.], Music in Goethe’s Faust: Goethe’s Faust in Music (pp. 101–116). Boydell & Brewer.
https://www.cambridge.org/core/books/music-in-goethes-faust/fausts-schubert-schuberts-faust/291FD2A3B82B533A75C37DFB72EF3648?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark

Cope, D. (2012). Rules, Tactics and Strategies for Composing Music. In D. Collins [Ed.], The Act of Musical Composition: Studies in the Creative Process (p. 255-280). Ashgate Publishing.

Crispin, D. (2015). Artistic Research in/as Composition: Some Case Notes. In G. Nierhaus (Ed), Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Springer. DOI 10.1007/978-94-017-9561-6

Davies, R. (2009, October). Creative Ownership and the Case of the Sonic Signature or, ‘I’m listening to this record and wondering whodunit?’. Journal on the art of record production. https://www.arpjournal.com/asarpwp/creative-ownership-and-the-case-of-the-sonic-signature-or-%e2%80%98i%e2%80%99m-listening-to-this-record-and-wondering-whodunit%e2%80%99/

Donin, N. (2012). Empirical and Historical Musicologies of Compositional Processes: Towards a Cross-fertilisation. In D. Collins [Ed.], The Act of Musical Composition: Studies in the Creative Process (p. 1-26). Ashgate Publishing.

Dybo, T. (2013). Representasjonsformer i jazz- og populærmusikkanalyse. Trondheim: Akademika.

Eike, B. (2017) The Alehouse Sessions – the Long Story. Barrokksolistene: It’s just old pop music. https://www.barokksolistene.com/thealehousesessionsdigdeeper/

Farnsworth, B. (2024). Classical Music has a Diversity Problem. In Smith, N.T., Peters, P., Molina, K. [Ed], Classical Music Futures: Practices of Innovation, p. 41-58. Open Book Publishers. https://books.openbookpublishers.com/10.11647/obp.0353.pdf

Frayling, C. (1993). Research in Art and Design. Royal College of Art Research Papers, 1993/94 1(1).
https://researchonline.rca.ac.uk/384/9/frayling_research_in_art_and_design_1993_OCR.pd

Gåte. (2002). Bruremarsj fra Jämtland [Song]. On Jygri. Warner Music Norway.

Hellqvist, K. E. (2024) At the Knot of Presence: Weaving with the embodied knowledge of my artistic palette in Liza Lim's One and the Other (Speculative Polskas for Karin), Journal for Artistic Research, 33 https://www.researchcatalogue.net/view/1865089/2949362/0/0 [accessed 08/11/2024]

Haaland, I. (2020).Intercultural Musical Collaboration: Towards A Global Sound. [Doctoral dissertation, University of Agder] Department of Popular Music, University of Agder.https://globalsoundphd.uia.no/

Hannula, M., Suoranta, J., Vadén, T. (2014). Artistic Research Methodology. Narrative, Power and the Public. Peter Lang.https://www.researchgate.net/publication/272295724_Artistic_Research_Methodology_Narrative_Power_and_the_Public?enrichId=rgreq-87a5cfe51b7bf5971c12f9d44288d9bc-XXX&enrichSource=Y292ZXJQYWdlOzI3MjI5NTcyNDtBUzoxMDI2ODU1ODIxOTE4MjE0QDE2MjE4MzI5MTQ0ODk%3D&el=1_x_3&_esc=publicationCoverPdf

Hopkins, M. T. (2015). Collaborative Composing in High School String Chamber Music Ensembles. Journal of Research in Music EducationVolume 62, Issue 4, January 2015, Pages 405-424 https://doi.org/10.1177/0022429414555135 

Gadamer, H. G. (2010) Sannhet og metode: Grunntrekk i en filosofisk hermeneutikk. Pax Forlag

Iveland, K. L. (2024). Lyrics, Voices and the Stories They Tell [Doctoral Dissertation]. Universitetet i Agder

Jørgensen, H., Ellefsen, K., Dahl, P., Guttormsen, H., Hansen, C., Malterud, N., & Stødle, H. (2007). Vekt på̊ kunstnerisk utviklingsarbeid. Universitets- og høgskolerådet. https://www.uhr.no/_f/p1/ia142b8ca-1a99-4d01-8b2a-15209ae9080f/vekt_paa_kunst.pdf

Klubb Krinolin. (2024). Klubb Krinolin: Malmös vardagsrum för kammarmusik. Retrieved 20 October 2024 from https://klubbkrinolin.se/ 

Nelson, R. (2013). Practice as research in the arts: Principles, protocols, pedagogies, resistances. Springer.

Li,A.(2024).The historical evolution of the popularization of classical music and the development of the fusion of multiple musical styles. Herança,7(1), 113-125. https://doi.org/10.52152/heranca.v7i1/81

Lijster, T. (2017). Benjamin and Adorno on Art and Art Criticism. Amsterdam University Press. https://assets.ctfassets.net/4wrp2um278k7/Zy1vtR8a6QAKWCG8WIuW2/604fb521e32233f791d6932c70c89aae/9789048531059_Look_Inside.pdf

Maertz, G. (2017). Literature and the cult of personality : Essays on Goethe and his influence. Ibidem Press. 

Martyns, J. F. (2018). Amanda Maier: Her Life and Career as a Nineteenth-Century Woman Violinist. [Doctoral dissertation]. University of Toronto.

Menzel, A. (1854) Violinist Joseph Joachim and pianist Clara Schumann. [Drawing]. Deutsche Fotothek. https://commons.wikimedia.org/wiki/File:Adolph_von_Menzel_-_Joseph_Joachim_%2B_Clara_Schumann_(Zeichnung_1854).jpg

Moore, A. F. (2002). Authenticity as Authentication. *Popular Music*,21(2), 209-223.

Muse. (2001). Plug in Baby [Song]. On Origin of Symmetry. A&E Records Limited.

Muse. (2009). I Belong to You (+Mon Coeur S'ouvre À Ta Voix) [Song]. On The Resistance. Warner Music UK Limited.

Muse. (2009). Uprising [Song]. On The Resistance. Warner Music UK Limited.

Neal, C. (2009, June). Regina Spektor gets bored easily. Performing Songwriter, Issue 118.
https://performingsongwriter.com/articles-interviews/songwriter-interviews/regina-spektor/

Nexus Strings. (2020, 17 September). Find your muse: Rachmaninov Inspires Muse. Behind the music.https://www.nexusstrings.com/post/rachmaninoff-muse  

Nilsen, A. (2023, 27 October). - Gåte har et eget DNA. Musikknyheter. https://www.musikknyheter.no/intervjuer/23086/--G%C3%A5te-har-et-eget-DNA.html

Ploquin, I. F. (2023). Chamber music for rock festivals: textural references to progressive rock in Ketil Hvoslef’s Konsert for violin og pop-band (1979) Música Hodie.https://doi.org/10.5216/mh.v23.73305

Ravel, M. (1910). Quarter pour instruments à cordes. [Sheet music]. Durand & co.  

Ruud, E. (2023). Sonate. In Store Norske Leksikon. Hentet 8. november 2024 fra https://snl.no/sonate 

Saint-Saens, C., Lemaire, F. (1910). Samson et Delilah: Mon Coeur S'ouvre À Ta Voix. [Sheet music]. New York: The University Society. (Originally published in 1919).

Schubert, F. P. & Müller, W. (1895). Franz Schubert’s Werke: Serie XX Lieder und Gesänge: Winterreise: 1. Gute Nacht. [Sheet music]. Breitkopf & Härtel. (Originally published in 1827). 

Schubert, F., & Goethe, J. (1822). Gretchen am Spinnrade [Sheet music]. Cappi und Diabelli

https://vmirror.imslp.org/files/imglnks/usimg/7/70/IMSLP346755-PMLP25880-LOEB_47070032.pdf

Schwind, M. (1868). Schubertiade 1868. [Drawing]. https://commons.wikimedia.org/wiki/File:Moritz_von_Schwind_Schubertiade.jpg

Skowron, Z. (2016). On Witold Lutosławski’s Artistic Self-Awareness: A Survey of Very Recent Research. Musicology today, vol 13.https://doi.org.10.1515/muso-2016-0005

Smyth, E. (1919). Impressions that remained: Memoirs; Part I. The Smyth Family Robinson to 1877); Part II. Germany and Two Winters in Italy (1877 to 1880). Vol 1. Forgotten books, originally Longmans, Green and co

Steen, J. (1674) Revelry at the inn. (Painting). https://commons.wikimedia.org/w/index.php?curid=15398173 

Swift, T. (2023). Shake it off. [Songs]. On 1989(Taylor’s version). Taylor Swift.

Theel, T. & Sydow, J. (2024). Organizing Creativity With Constraints—Insights From Popular Music Songwriting Teams. Journal of Management InquiryVolume 33, Issue 3, July 2024, Pages 265-283. https://doi.org/10.1177/10564926231191087

Vassenden, E. (2013). What is critical reflection? A question concerning artistic research, genre and the exercise of making narratives about one’s own work. Retrieved from https://diku.no/rapporter/what-is-critical-reflection

Vaughan Williams, R. (1921). Fantasia on a theme by Thomas Tallis. [Sheet music]. Goodwin & Tabb.

Walker, T. (2024). Monsieur Croche – Concerts at Eye Level. In Smith, N.T., Peters, P., Molina, K. [Ed], Classical Music Futures: Practices of Innovation, p.299-314. Open Book Publishers.