Prehistory
1981–1994: Daily morning singing throughout 13 years of school and high school.
2004: The idea of subjecting my dialogue with and approach to the musical dimension of the Højskolesangbogen songbook to public artistic exploration arises immediately after receiving a three-year working grant from the Danish Arts Foundation.
2006–2007: Recording and release of the album Jacob Anderskov in Danish, and Anderskov Accident’s version of “Se nu stiger solen” on the album Newspeak.
Project preludes
2019
Brorson Church: improvised solo concert with community singing elements
2020
Brorson Church: Four “seasonal communal singing” events (“årstidsfællessang,” improvised solo piano with community singing), of which two are conducted in-person, one is conducted online, and one is cancelled due to Covid
DR Koncerthuset, June: “Sankt Hans fællessang” (“Midsummer communal singing”), with DR Vokalensemblet, Jacob Anderskov, Kasper Tranberg, Jakob Høyer
2021
Brorson Church, July: concert with community singing material (due to Covid without permission for community singing), with Soffie Viemose, Jakob Munck, Jacob Anderskov, Kasper Tranberg, Jakob Høyer (hereinafter “the ensemble”).
Application to the Ministry of Culture’s Fund for Artistic Research (Kunstnerisk udviklingsvirksomhed)
The project
2022
Allocation of project funding from the Ministry of Culture’s Pool for Artistic Research
Further fundraising
Project start-up, August
Musical reworkings
Reading
Recording (September) in The Village Studio with the ensemble, primarily around a summer repertoire:
- album material without participating amateur choirs
- Video recordings with and without participating amateur choirs
Selection, editing, editing of recordings
Reflection and dialogue
2023
Mixing and mastering of recorded audio as well as video material
Finalising agreements with venues, organisations, institutions, primarily around activities in 2024
Concerts in smaller format: Jacob Anderskov duo with trumpet and vocals
Reading theoretical, philosophical, aesthetic texts
Continued reflection and dialogue with various partners
Negotiating and signing a record deal with April Records
Release of the first two singles from the album I sang (the title has multiple meanings in Danish: You sang, In singing, While singing, one song, etc., in addition to the less ambiguous English meaning)
Recordings (December) in The Village with the ensemble, primarily around a winter repertoire – oriented towards a second album.
Writing the majority of the project reflection texts
Work on the final digital dissemination of the project’s permanent dissemination
2024
Release of the third single from the album I sang
Concerts around the country, on a winter repertoire, with the ensemble and a participating audience (in January)
Album release, 2 February 2024: Jacob Anderskov “I sang”
Album release concert (February), Dronningesalen (Queen’s Hall), Den Sorte Diamant (The Black Diamond), Cph.
Editing and post-production of audio and video recordings from winter 2023–24, including vocal overdubs and mixes
Plans – for summer 2024 and beyond (i.e. after this exposition’s conclusion):
July–October: various concerts with the project, and with different ways of scaling up the format, such as a version that includes musicians from Århus Sinfonietta
Dialogue with venues, festivals, and Århus Sinfonietta about concerts in 2025
2025 or 2026: Probably release of the second album from the project (recordings from December 2023–February 2024), as album or as a video installation, or both.
Project manager:
Jacob Anderskov
Ensemble members other than J.A.:
Kasper Tranberg
Soffie Viemose
Jakob Munck
Jakob Høyer
Maria Laurette Friis
Singing audience for studio recordings:
Hospitalskoret Cartilago, led by Lise Ellevang
Music class from Baunehøj Efterskole
Music class from Gefion Gymnasium
Music class from Tårnby Gymnasium
Involved institutions, venues, organisations:
Brorson Kirke
Den Sorte Diamant
Nysted Orgelmuseum
Testrup Højskole
Roskilde Festival Højskole
Esbjerg Kulturskole
Lemvig Musikskole
Den Rytmiske Højskole, Vig
Århus Sinfonietta
DR Koncerthuset
DR Vokalensemblet
Ny Carlsberg Glyptotek
Dialogue partners, alphabetically:
Kim Boeskov
Alexander Bossen
Signe Bønsvig
Jesper Egelund
Lise Ellevang
Esben Eyermann
Maria Laurette Friis
Panna Friis-Grigoncza
Søren Gemmer
Simon Høffding
Jakob Høyer
Annemette Kirkegaard
Søren Kjærgaard
Thure Lindhart
Janne Mark
Jakob Munck
Kresten Osgood
Henrik Sveidahl
Kasper Tranberg
Soffie Viemose
– as well as many other colleagues at RMC
Audio:
Thomas Vang / Village Studio (recording and mixing)
August Wanngren / Oui Music, (mix)
John Fomsgaard / KarmaCrew (live recording, mix, album mastering)
Jacob Worm / Finland Studio (live recording)
Video:
Andreas Johnsen
Photo:
Mike Højgaard
Funding & affiliation:
Host institution: Rhythmic Music Conservatory (RMC)
Artistic research programme:
The Ministry of Culture’s pool for artistic research activities (Kulturministeriets pulje til Kunstnerisk Udviklingsvirksomhed)
Additional funding:
Danish Arts Foundation (Statens Kunstfond)
Augustinusfonden
Danish Conductors Association (Dansk Kapelmesterforening)
Record label:
April Records
Peer Review of exposition:
Caroline Høgsbro
Malene Bichel
Contact:
Jacob Anderskov
JacobAnderskov.dk
jaan@rmc.dk