Bibliography

Albrecht, Glenn, Gina-Maree Sartore, Linda Connor, Nick Higginbotham, Sonia Freeman, Brian Kelly, Helen Stain, Anne Tonna, and Georgia Pollard. 2007. ‘Solastalgia: The Distress Caused by Environmental Change’, Australian Psychiatry, 15: 95–98

Altman, Irwin, and Setha M. Low, eds. 1992. Place Attachment (New York: Plenum Press)

Barthes, Roland. 1977. Image, Music, Text, trans. by Stephen Heath (London: Fontana Press)

Bay-Cheng, Sarah, Chiel Kattenbelt, Andy Lavender, and Robin Nelson, eds. 2010. Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press)

Bracegirdle, Cyril. 1973. The Dark River (Altrincham: John Sherratt and Son)

Colebrook, Claire. 2002. Understanding Deleuze (Crows Nest, Australia: Allen and Unwin)

Cooper, Glynis. 2005. Salford: An Illustrated History (Derby: Breedon Books)

Derrida, Jacques. 1988. Limited Inc., trans. by Alan Bass et al. (Evanston, IL: Northwestern University Press)

Engels, Friedrich. (1892) 2008. The Condition of the Working-Class in England in 1844 (New York: Cosimo)

Finlay, Linda, and Brendan Gough (eds). 2003. Reflexivity: A Practical Guide for Researchers in Health and Social Sciences (Oxford: Blackwell Science)

garageCUBE. 2014. Modul8 website <http://www.modul8.ch> [accessed 11 June 2014]

Halbwachs, Maurice. 1992. On Collective Memory, ed. and trans. by Lewis A. Coser (Chicago: University of Chicago Press)

Heddon, Deirdre. 2008. Autobiography and Performance (Basingstoke: Palgrave Macmillan)

Higgins, Dick. 1966. ‘Intermedia’, Something Else Newsletter, 1.1 <http://www.primaryinformation.org/oldsite/SEP/Something-Else-Press_Newsletter_V1N1.pdf> [accessed 25 September 2017]

Jones, Phil, and James Evans. 2008. Urban Regeneration in the UK (London: Sage Publications)

Mackey, Sally. 2015. ‘Place Theory’, Performing Places website <www.performingplaces.org/theory.html> [accessed 2 September 2015]

Massey, Doreen. 1994. Space, Place and Gender (Cambridge: Polity Press)

Morley, Paul. 2013. ‘Northern Exposure: The BBC in Salford’, Financial Times, 31 May <https://www.ft.com/content/f5cc1646-c90b-11e2-9d2a-00144feab7de> [accessed 25 September 2017]

Neiger, Mordechai, Oren Meyers, and Eyal Zandberg, eds. 2011. Media Memory: Collective Memory in a New Media Age (Basingstoke: Palgrave Macmillan)

Nelson, Robin. 2013. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances (Basingstoke: Palgrave Macmillan)

Salford Community Leisure. 2017. ‘History of Salford’ <http://www.salfordcommunityleisure.co.uk/culture/salford-museum-and-art-gallery/local-history/history-salford> [accessed 11 April 2017]

Schloss, Joseph. 2004. Making Beats: The Art of Sample-Based Hip-Hop (Middletown, CT: Wesleyan University Press)

Scott, Joanne. 2016. Intermedial Praxis and Practice as Research: ‘Doing-Thinking’ in Practice (London: Palgrave Macmillan)

Shuker, Roy. 2008. Understanding Popular Music Culture, 3rd ed. (London: Routledge)

Smith, Phil. 2010. Mythogeography: A Guide to Walking Sideways (Axminster: Triarchy Press)

Van Dijck, José. 2009. ‘Remembering Songs through Telling Stories: Pop Music as a Resource for Memory’, in Karin Bijsterveld and José van Dijck, eds, Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam: Amsterdam University Press), pp. 107–19