Conclusion
This work has allowed me to explore and deepen my knowledge of African rhythms and their connection with other music originating in the Americas. As evidenced at the beginning, for many years, the fact that this influence has been fundamental in constructing an entire cultural identity has been hidden and overlooked, yet it remains to this day. Although the greatest musical influence in Costa Rica came from Spain, mainly from the Andalusian region, during the colonial era, many of these rhythms were already influenced by African rhythms due to the invasion of Spain in 711 by the Berbers and Arabs, who remained there until 1492. This makes North Africa a crucial point, as numerous music styles from the rest of Africa, including West Africa, have passed through this region. Although I cannot say for certain that it happened this way, since much of the evidence has been destroyed or is nonexistent, it would make a lot of sense. This leaves an open question worth exploring further in the future.
The process of composing and improvising new music, taking these connections into account, has become more enriching, as it has encouraged greater awareness of where certain rhythmic patterns come from and how to convey this through musical performance and expression. Developing this project through research, performance, composition, and production has been a new experience for me. Additionally, this project becomes the first material I recorded under my name, which I consider a very important milestone in my personal and artistic development.
Throughout this process, I have discovered that each rhythm and melody carries a deep and complex history, woven through centuries and continents. This understanding has transformed my approach to music, allowing me not only to interpret but also to respect and honor the traditions from which it originates. This journey of musical discovery has also motivated me to share this knowledge, hoping that other musicians and listeners can appreciate the richness and diversity of our shared musical roots.
In the future, I plan to continue researching and exploring these rhythmic and cultural connections, with the intention of creating new works that reflect this fusion of influences. I hope my work inspires others to value and explore the African musical heritage and its lasting impact on the world's music. This project is not only a personal achievement but also a tribute to the resilience and creativity of the cultures that have shaped our contemporary musical identity.