Sources

 

 

BOOKS

 

Acevedo, Jorge L. Antología de la Música Guanacasteca. Editorial Universidad de Costa Rica, 1981.

 

Acevedo Álvarez, Raziel, and Álvaro Guevara Duarte. La música tradicional de Guanacaste: Una aproximación escrita. 1st ed. San José, C.R.: Editorial UCR, 2007.

 

Acevedo, Jorge L. La música en Guanacaste. Primera edición. Costa Rica: Editorial de la Universidad de Costa Rica, 1980.

 

Acosta, Leonardo. Música y descolonización. La Habana: Editorial Arte y Literatura, 1982.

 

Chang Vargas, Giselle. Nuestra Música y Danzas Tradicionales. Coordinación Educativa y Cultural Centroamericana. San José: CECC, 2003.

 

Jarquín Jiménez, G. Horizontes: Método de batería. Costa Rica, 2021.

 

Konaté, Famoudou, and Thomas Ott. Rhythms and Songs from Guinea. Oldershausen: Lugert Verlag, 1996.

 

Martin, Billy. Riddim: Claves of African Origin. 1st ed. Alfred PUBN, 2008.

 

Monge Fernández, Luis. RAÍCES AFRICANAS PRESENTES EN LA OBRA MUSICAL DE LUIS ENRIQUE MEJÍA GODOY, WALTER FERGUSON Y RUBÉN BLADES. Editorial Alma Mater, 2017.

 

Morales, Hector. The Afro-Peruvian Percussion Ensemble. Sher Music Co., 2011.

 

Palmer, Paula. ‘Wa’apin man’ La historia de la costa talamanqueña de Costa Rica, según sus protagonistas. San José: Instituto del Libro, 1986.

 

 

ARTICLES

MAGAZINE OR NEWSPAPER

 

Acevedo Álvarez, Raziel. “LAS DANZAS O RITMOS DE GUANACASTE; UNA AMALGAMA DE SONIDOS Y FORMAS QUE REFLEJAN UN PASADO CULTURAL COMPLETO.” Unpublished manuscript (received from the author, May 16, 2024)

 

Acevedo Álvarez, Raziel. “Los ritmos tradicionales de Guanacaste.” Revista de Ciencias Sociales, 75:23-28. UCR, 1997. Accessed June 15, 2024. https://www.kerwa.ucr.ac.cr/items/821f7159-314e-4cc0-ac79-47b6283afe0f

 

Arroyo, César. “Guanacaste Was the Gateway for Black People Entering Costa Rica.” Translated by Arianna Hernández. The Voice of Guanacaste, 2022. Accessed May 26, 2024. https://vozdeguanacaste.com/en/guanacaste-was-the-gateway-for-black-people-entering-costa-rica/

 

Bourgois, Philippe. “THE BLACK DIASPORA IN COSTA RICA: UPWARD MOBILITY AND ETHNIC DISCRIMINATION.” Nieuwe West-Indische Gids / New West Indian Guide 60, no. 3/4 (1986): 149–65. http://www.jstor.org/stable/41849252

Briceño Peraza, Nelson. “Una exploración a la incorporación de la batería dentro de la práctica común del folclor tradicional de la región de Guanacaste y su influencia en la evolución de la música folclórica costarricense.” Licentiate Thesis, Universidad Nacional de Costa Rica, 2021.

 

Castro Buendía, Guillermo. “LA JOTA. RECORRIDO MUSICAL Y PROYECCIÓN EN EL FLAMENCO.” Sinfonía Virtual. Revista de Música Clásica y Reflexión Musical, no. 44, 2023.

 

Escalada, Oscar. “Common Rhythms in the Americas.” The Choral Journal 39, no. 7 (1999): 59–62. http://www.jstor.org/stable/23552829

 

Esquivel, Noelia. “Parrandera and Marimba Are Some of the Manifestations of Our African Origins.” The Voice of Guanacaste, 2018. Accessed May 26, 2024. https://vozdeguanacaste.com/en/parrandera-and-marimba-are-some-of-the-manifestations-of-our-african-origins/

 

Garfias, Robert. “The Marimba of Mexico and Central America.” Latin American Music Review / Revista de Música Latinoamericana 4, no. 2 (1983): 203–28. https://doi.org/10.2307/780267

 

Jones, Claire. “A MODERN TRADITION: THE SOCIAL HISTORY OF THE ZIMBABWEAN MARIMBA.” African Music 9, no. 2 (2012): 32–56. http://www.jstor.org/stable/24877253

 

Lockett, Pete. Rhythms of the Maghreb” Pete Lockett’s Music and Travel Blog. Accessed July 27, 2024. https://www.petelockett.com/pete%20new%20pages/Music%20&%20Percussion%20of%20Mahgreb.html    

 

Lockett, Pete. “The grooves of Morocco” Pete Lockett’s Music and Travel Blog. Accessed July 27, 2024. https://petelockett.com/2006/pages/Morocco.html   

 

McCoy-Torres, Sabia. “‘Cien Porciento Tico Tico’: Reggae, Belonging, and the Afro-Caribbean Ticos of Costa Rica.” Black Music Research Journal 36, no. 1 (2016): 1–29. https://doi.org/10.5406/blacmusiresej.36.1.0001

 

O’Brien, Linda L. “Marimbas of Guatemala: The African Connection.” The World of Music 24, no. 2 (1982): 99–104. http://www.jstor.org/stable/43560828

 

Rager, Daniel. "The History of the Marimba.” Music Faculty Publications. 1., 2008

https://engagedscholarship.csuohio.edu/clmusic_facpub/1 

 

Sossa Ortiz, Ricardo. “Voices of the Caribbean: Afro-Costa Ricans Move Towards Empowerment and Equality.” ReVista, 2024. Accessed July 24, 2024.

 https://revista.drclas.harvard.edu/voices-of-the-caribbean-afro-costa-ricans-move-towards-empowerment-and-equality/

 

Trice, Patricia J. “Unaccompanied Choral Arrangements of African-American Spirituals: The ‘Signifying’ Tradition Continues.” The Choral Journal 34, no. 7 (1994): 15–21. http://www.jstor.org/stable/23549823 

 

Watusi Machi ’N Sound. “Henry Cole: El Folclore Es El Futuro.’” Neotropikal Sounds, 2018. Accessed June 24th, 2024. https://neotropikalsounds.wordpress.com/2018/01/12/henry-cole-el-folclore-es-el-futuro/ 

Discography

 

Selected discography that served as inspiration 

 

*Music cited in this work

 

Blackwell, Ed, and Dewey Redman. Red And Black in Willisau. Black Saint, 1985.

Camara, Ladji. Africa, New York Drum Masterpieces. LYRCD 7345, 1975. 

Craig Taborn Trio. Chants. ECM, 2013

Fly Trio. Year of The Snake. ECM, 2012.

Gerville, Meddy. Jazz Amwin. Musik Export Association, 2006.

Graves, Milford. Grand Unification. Tzadik, 1998.

Keita, Mamady, and Special Guest Famoudou Konaté. Hamanah. Fonti Musicali, 1996.

*Malpaís. Un Día Lejano 1. Papaya Music, 2009. 

N’Diaye Rose, Doudou. Djabote. Real World Music, 1994.

Pygmées. Congo: Polyphonies Pygmées Du Nord-Congo — Congo: Pygmy Polyphonies    From North Congo. VDE-Gallo, 2011.

Ravitz, Ziv, and Lionel Loueke. Within this Stone. Intuition, 2022.

*Shetrit, Yogev. New Path. Digipack, CD, 2016.

Various Artists. Ewe Music of Ghana. Smithsonian Folkways Recordings, 1969.

Various Artists. Swaziland: Songs of the Swazi. VDE-Gallo, 2009.

Virelles, David. Continuum. Pi Recordings, 2012.

Virelles, David. Gnosis. ECM, 2017.

Virelles, David. Mbókò. ECM, 2014.

Zenón, Miguel. Música De Las Américas. Miel Music, 2022

*Ziad, Karim. Ifrikya. ACT, 2001.

 

 

VIDEOS

 

Zimmerli, Lukas. “Mendiani - "Denaben Dundun", "Den" & “Bundiani”. YouTube, February 25, 2024. https://www.youtube.com/watch?v=dNfBG2At9io&t=208s

 

Azawan. “Azawan (jazz et chaâbi) - Ya Noudjoum Ellil (Cheikh El Hasnaoui)”. YouTube, June 27, 2023. https://youtu.be/mYW67__nYNI 

 

Aylon, Ben. “ROSE RHYTHM • Ben Aylon & Les Rosettes (Doudou Ndiaye Rose)”. YouTube, January 26, 2024. https://www.youtube.com/watch?v=7LjeicLKBd0 

 

Pitar, Elvis. “Cantos Indigenas Bribris, Talamanca- Costa Rica. Cantos con Tambor Bribri. Elvis Pitar”. YouTube, October 26, 2019. https://youtu.be/Yutc6rNWDBY?si=HFZi0UhWFRjIs7HY