Metamorphosis - Ethics and Aesthetics are One - from a Neuroscientific Perspective by Erika Matsunami

Wittgenstein's "Ethics and Aesthetics are one" is the starting point of this research. "In the Notebooks, Wittgenstein states that 'the world and life are one', so perhaps the following can be said. Just as the aesthetic object is the single thing seen as if it were a whole world, so the ethical object, or life, is the multiplicity of the world seen as a single object". (Diané Collinson, The British Journal of Aesthetics, Volume 25, Issue 3, SUMMER 1985, pages 266-272) Art transcends boundaries of race, nationality and gender. It is a creative act of unifying in the context of humanity, from the subject to the various topics, by asking questions. This point is the lack of "reality" (dealing with reality) from a sociological perspective. However, it is impossible to define humanity and reality based on sociological statistics alone–which is my perspective of Wittgenstein's "Ethics and Aesthetics are one". Thereby, I examine 'world and life' from the 21st century perspective. In other words, my research is on immateriality from a 21st-century perspective in relation to the context of neuroscience—on multifoldness. I would like to explore the following "What is diversity and its coexistence?" ...

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Conclusion

Reference

According to Bertrand Russell, “The logical structure of propositions and the nature of logical inference are first dealt with. Thence we pass successively to Theory of Knowledge, Principles of Physics, Ethics, and finally the Mystical (das Mystische ).“^[19]

This practice-based artistic research, "Metamorphoses", is a methodology that examines "world and life" through the expression of artificial phenomena in virtual reality, natural phenomena and the perception of the silent world. It is a parallel construction to the exploration of Wittgenstein's theory introduced by Bertrand Russell in this artistic research.

Between our cultural habits and scientific proof, it is a refutation of the infinite world in which the "world and life" cannot be proven, no matter how much scientific research progresses.

It is something that scientists themselves understand best: in 1922, before the Second World War, it was they who explored the contradictions between the world of God and the world of science. The main contradiction is the consideration of the legalisation between the transition from the old world to the new world and the evolution of the society (of life).

The main exploration of the "proposition" in the syntax of the Latin language (Wittgenstein's theory), but this alphabet is now the most important language for organising the digital society in the world.

My question is therefore: "Does art make sense or meaning? - on the subject of communication (Sinne) and correspondence (Bedeutung)

^[19] Introduction, Bertrand Russell, “Tractatus Logico-Philosophicus”, Ludwig Wittgenstein, LONDON: KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., NEW YORK: HARCOURT, BRACE & COMPANY, INC., 1922, p.7

Hagberg, Garry L., “THE SELF, SPEAKING: Wittgenstein, Introspective Utterances, and the Arts of Self- Representation”, Revue Internationale de Philosophie, MARS 2002, Vol. 56, No. 219 (1), LUDWIG WITTGENSTEIN: ESTHÉTIQUE ET PHILOSOPHIE DE LA PSYCHOLOGIE / ON AESTHETICS AND ON THE PHILOSOPHY OF PSYCHOLOGY (MARS 2002), pp. 9-47

Wittgenstein, Ludwig, “Tractatus Logico-Philosophicus”, LONDON: KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., NEW YORK: HARCOURT, BRACE & COMPANY, INC., 1922

Costello, Harry T. , Wittgenstein, Ludwig, “Notes on Logic“, The Journal of Philosophy, Apr. 25, 1957, Vol. 54, No. 9 (Apr. 25, 1957), pp. 230-245

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“Motto: ... und alles, was man weiss, nicht bloss rauschen und brausen gehört hat, lässt sich in drei Worten sagen. (Motto: ... and everything you know, not just what you have heard rushing and roaring, can be said in three words.)”^[20]

Kürnberger.

^[20] Introduction, Bertrand Russell, “Tractatus Logico-Philosophicus”, Ludwig Wittgenstein, LONDON: KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., NEW YORK: HARCOURT, BRACE & COMPANY, INC., 1922

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