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Woolf, Virginia. 1926. Modern Fiction.
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Yasseri, Taha, Gildersleve, Patrick and Lea David. 2022. Collective Memory in the Digital Age. In Collective Memory, Elsevier.
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Zaccharini, John-Paul. 2021. Decolonizing Artistic-Research, Online workshop organized by Uniarts Stockholm.
Zalnieriute, Monika and Tatiana Cutts. 2022. How AI and New Technologies Reinforce Systemic Racism. Study commissioned by the United Nations.
Zepke, Nick. 2014, Student engagement research in Higher Education: questioning an academic orthodoxy, Teaching in Higher Education 19, no. 6: 697–708.
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F-L
Fatland, Erik. 2013. Debriefing intense larps 101, Erik Fatland blog, http://larpwright.efatland.com/?p=384, ref. November 2023.
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Fisher, Mark. 2009. Capitalist Realism: Is There No Alternative? Zero Books.
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Fox, Margalit. 2015. Brian Sutton Smith, Scholar of What’s fun, The New York Times, https://www.nytimes.com/2015/03/15/science/brian-sutton-smith-scholar-of-whats-fun-dies-at-90.html, ref November 2023.
Friesen, Norm. 2014. Telepresence and Tele-absence: A Phenomenology of the (In)visible Alien Online. In Phenomenology & Practice, vol 8 special issue Being Online, edited by Norm Friesen and Stacey O. Irwin.
Girvan, Carina. 2018. What is a virtual world? Definition and classification. Education Tech Research Dev 66, 1087–1100.
Graeber, David. 2006. Dead Zones of the Imagination: On Violence, Bureaucracy, and Interpretive Labor: The Malinowski Memorial, lecture, Goldsmiths, University of London. HAU: Journal of Ethnographic Theory, vol. 2, n.2.
Grand, S. and M. Wiedmer, Design Fiction: A Method Toolbox for Design Research in a Complex World, in proceedings of the DRS 2010 conference: Design and Complexity, Montreal, 2010.
Grau, Oliver. Virtual Art: From Illusion to Immersion. The MIT Press, 2002.
Greenhalgh, T., Jackson, C., Shaw, S., & Janamian, T. 2016. Achieving Research Impact Through Co‐creation in Community‐based Health Services: Literature Review and Case Study.The Milbank Quarterly, 94(2), 392-429.
Gunn, A., & Mintrom, M. 2017. Evaluating the Non-academic Impact of Academic Research: Design Considerations.Journal of Higher Education Policy and Management, 39(1), 20-30.
Hales, D. (2013). Design Fictions: An Introduction and Provisional Taxonomy.Digital Creativity, 24(1), 1-10.
Haraway, Donna J. 2016. Staying with the Trouble, Making Kin in the Chthulucene. Duke University Press Books.
Hayes, S. L. 2018. Invisible Labour: Do We Need to Reoccupy Student Engagement Policy?LATISS, 11(1), 19-34.
Holkar, Mo. 2020. Larp and Prejudice. Nordic Larp.https://nordiclarp.org/2020/06/08/larp-and-prejudice-expressing-erasing-exploring-and-the-fun-tax/, ref August 2023
hooks, bell. 1994. Teaching to Transgress: Education as the Practice of Freedom. London: Routledge, 194.
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Johnson, Brian David. 2011. Science Fiction for Prototyping: Designing the Future with Science Fiction. Morgan and Claypool.
Jones, Castiello; Koulu & Torner . 2016. Playing at Work Labor, Identity and Emotion in Larp. In Larp Politics. In Systems, Theory, and Gender in Action, edited by Kaisa Kangas, Mika Loponen, and Jukka Särkijärv. Ropecon ry.
Kemper, Jonaya. 2018. More than a Seat at the Feasting Table. Nordic Larp.https://nordiclarp.org/2018/02/07/more-than-a-seat-at-the-feasting-table/, ref. July 2023.
Kirby, David. 2010. The Future Is Now: Diegetic Prototypes and the Role of Popular Films, Generating Real-World Technological Development. Social Studies of Science, 40(1), 41-70.
Korzybski, Alfred. Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics. New York: Institute of General Semantics, 1995.
Kvittingen Djukastein, Irgens, Lipsyc, and Løveng Sunde., 2021. Book of Magic, vibrant fragments of larp practices, Knutpunkt companion book.
Lang, Ben, 2020. Analysis: ‘Half-Life: Alyx’ Adds Nearly 1 Million VR Users to Steam in Record Gain, RoadtoVR, ref. November 2023.
Lang, Bodo, Dolan, Rebecca, Kemper, Joya and Northey, Gavin. 2021. Prosumers in times of crisis: definition, archetypes and implications, Journal of Service Management, vol. 32, n. 2, 176-189.
Lee, Stefano Kewan. 2021. Through Someone Else’s Eyes: A Confession, Book of Magic, vibrant fragments of larp practices, Oslo: Knutpunkt companion book.
Levin, Hilda. 2023. Bridging Historical and Present-Day Queer Community Through Embodied Role-Playing. International Journal of Role-Playing, no. 14 (September): 82-90.
Lipovetsky, Gilles and Serroy, Jean, 2016. L'esthétisation du monde, Paris: Gallimard, Folio Essais.
Lipsyc, Nadja, Jaller, Camilla and Howard, Frederick, 2020. Axes of tension, Navigating craft, institution and industry as an art-researcher in film and new media, International Journal of Film and Media Arts, 5(2), 9-26
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Lindemann, Gesa and David Schünemann. 2020. Presence in Digital Spaces. A Phenomenological Concept of Presence in Mediatized Communication. In Human Studies, vol. 43. Open access onhttps://link.springer.com/article/10.1007/s10746-020-09567-y
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VR experiences and softwares
Ancient Hours (2022): a hybrid VR larp using VRChat, collaboration between Nadja Lipsyc (Design) and Josefine Rydberg (Production). Playtested at Grenselandet 2022 and premiered at The Smoke 2023.
Ayahuasca VR (2020): Experience by Atlas V, Small Studio by MacGuff, and Ryot.
Beat Saber (since 2018): Futuristic rhythm game.
Chalkroom (2018): Experience by Laurie Anderson and Hsin-Chien Huang
Dates in Real Life (2024): Series partly shot in VR, directed by Jakob Rorvik and produced by Maipo Films for NRK.
Drift (2015): VR die and retry by Ferdinand Dervieux and Aby Batti.
Eat, Sleep, VR, Repeat (2023): Fatboy Slim Concert by EngageVR.
Gravity Sketch: VR native design software that allows you to model 3D objects with collaborators.
Lone Wolves Stick Together VR: larp designed by Nadja Lipsyc as part of the Norwegian National Artistic Research PhD program. Developed with Breach VR and playtested in 2023. Older prototypes have been tested in 2020 and 2018.
Notes on Blindness: Into Darkness (2016): short film directed by Arnaud Colinart, Amaury La Burthe, Peter Middleton & James Spinney and produced by Ex Nihilo, ARTE France, Archer’s Mark.
Oxymore (2022): Jean-Michel Jarre Concert by Vrroom.
The Under Presents: Tempest (2020): immersive theater piece directed by Samantha Gorman and produced by Tenderclaws.
VRChat (since 2014): social online virtual world platform that relies on Unity-based user-content. VRChat worlds mentioned in this article: Club Babylon by Rikke Jansen (private), VR Furry Karaoke by Duutsu (public), Wind and Grass by Byanca (public).
Welcome to the Respite (2021): immersive theater piece by the Ferryman Collective
What Remains of Edith Finch (2017): narrative video game by Giant Sparrow
Music
Eduard Artemyev
Biosphere
Kali Malone
Evigt Morker
Aleksi Perälä
Abdulla Rashim
Valentin Silvestrov
Kaitlyn Aurelia Smith