Table of Contents
Introduction
Chapter 1: Background
1.1 Biography of Carl Reinecke
1.2 Development of the Fortepiano between Mozart and Reinecke
1.4 Changes to Performance Practice Caused by Recording Technology
Chapter 2: Ingredients that Make the Performance More Flexible in Early Recordings
2.1 Introduction
2.2 Two Types of Rubatos: “Earlier and Later”
2.3 Earlier Type of Rubato and Rhythmic Alteration
2.6 Later Type of Rubato and Tempo Modification
Chapter 3: "Larghetto" from Mozart Piano Concerto No.26, K.537, as Interpreted by Reinecke
3.1 Mozart’s Piano Concerto No.26 in D major K. 537 and His Autograph
3.2 Reinecke's Arrangement "Larghetto" for Solo Piano and His Recording
3.3 Reinecke's Book "Zur Wiederbelebung der Mozart'schen Clavier-Concerte"
Chapter 4: Experimental Application of Evidence in Performance
4.1 Emulating Reinecke's Performance
4.2 Authenticity in Historically Informed Performance
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