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ARTikulationen 2022

5–8 October 2022

ARTikulationen 2022 interweaved in-depth artistic research presentations, a festival character (intermezzi-performances), and a mini-symposium – all on matters of intersubjectivity in artistic research. The mini-symposium combined keynotes by composer, sound artist, and musician Miya Masaoka, and by composer Juliana Hodkinson, with a panel discussion Self and Other in Artistic Collaborations organised in collaboration with ORF musikprotokoll. Located at the Theater im Palais (TiP) of the University of Music and Performing Arts Graz (KUG), ARTikulationen was co-funded by the State of Styria - Dep. 12 Economy, Tourism, Science and Research. It was directed by Deniz Peters, co-directed and produced by Hanns Holger Rutz, and organised by the Doctoral School for Artistic Research (KWDS).

Over the course of 3 ½ days, one could hear, see, and discuss artistic research presentations from fields ranging from current acoustic, electroacoustic, and computer composition, historically informed and contemporary performance, to social sculpture by doctoral candidates Adela Liculescu, Elina Akselrud, Almog Segal, Raphael Fusco, Helēna Sorokina, Jakob Stillmark, Daniele Pozzi, and Janhavi Dhamankar, plus two Rigorosa (viva voce presentations) by Boris Kuschnir and Márcio Steuernagel. The festival character appeared not only through presentations in the form of examples from practice, but also in intermezzi (short live and filmed research performances) by doctoral candidates Lorenzo Orsengio, Samira Spiegel, Hugo Vasco Reis, Daniele Pozzi, Janhavi Dhamankar, Zsófia Faragó, Ilil Land-Boss, Jakob Stillmark, and Elina Akselrud, and in a performance by Marko Ciciliani.

Schedule

Wed 05 Oct

14:00
Opening
14:30
Mid-Study Presentation

Adela Liculescu – Shadings of Virtuosity in Franz Liszt's Music

15:15
Intermezzi

Lorenzo Orsenigo – Hacking: a Creative, Practice-Based Approach to Performance

Samira Spiegel – Spukhafte Fernwirkung

16:00

Coffee Break

16:30
Keynote

Miya Masaoka – The Shifting of Identity is Always There, not Always Visible or Obvious

Thu 06 Oct

10:30
Mid-Study Presentation

Elina Akselrud – The TIME, SPACE, and GESTURE in a Crossdisciplinary Context

11:15
Intermezzi

Hugo Vasco Reis – Five Places About Fragility

Daniele Pozzi – Trópos

12:00

Coffee Break

12:30
Mid-Study Presentation

Almog Segal – In (Re-)Search of Chopin: a School of Technique and Style

13:15

Lunch Break

14:30
Rigorosum (auf deutsch)

Boris Kuschnir – Wolfgang Amadeus Mozart's Violin Concerto No. 4 in D major KV 218: Artistic Research as a Way of Interpreting the Work

16:00

Coffee Break

16:30
Keynote

Juliana Hodkinson – Changing the Subject: Talking as Sonic Material

Fri 07 Oct

10:30
Interim Evaluation

Raphael Fusco – Molto Cantabile: An Idiomatic Approach to Composing for Stimmfächer

11:15
Intermezzi

Janhavi Dhamankar – Re-imagining Mainstream Academia Through Dance and Drawing

Zsófia Faragó – The Inner Games of the Lied Duo: Experiments in Search of Empathy and Ensemble Quality in Art Song Interpretation

Ilil Land-Boss – A Short Collective Mourning Intermezzo

12:00

Coffee Break

12:30
Interim Evaluation (auf deutsch)

Helēna Sorokina – VOICE.ONLY: Intuitive Notation of Contemporary Vocal Music Based on Works for an Unaccompanied Solo Contralto Voice

13:15

Lunch Break

14:30
Panel

musikprotokoll @ ARTikulationen – Caroline Gatt, John Eckhardt, Miya Masaoka, Pia Palme

16:00

Coffee Break

16:30
Intermezzo

Jakob Stillmark – So nah dran

17:00
Mid-Study Presentation (auf deutsch)

Jakob Stillmark – Repetition, Process, Polyphony: Technical Approaches to the Concept of Aesthetic Contemplation in Composition with Quotations

Sat 08 Oct

10:30
Mid-Study Presentation

Daniele Pozzi – A Feedback Meta-Apparatus

11:15
Intermezzo

Elina Akselrud – Vers le Mystère

12:00

Coffee Break

12:30
Mid-Study Presentation

Janhavi Dhamankar – Embodied Margins: Re-imagining the Mainstream

13:15

Lunch Break

15:00
Rigorosum

Márcio Steuernagel – Playing with Imperfection: Imperfection in Music as a Fundamental Compositional and Performative Dimension

16:30
Finale
17:00
Intermezzo (MUMUTH)

Marko Ciciliani – Why Frets?: Requiem for the Electric Guitar

17:45
Viva Voce Results, Best Practice Award, Farewell