My research project has contributed to contemporary music production by highlighting the potential
of raga music in shaping a unique signature sound for composers. By exploring theoretical frameworks
on sound, signature sound, and cultural context in music production, I have provided a strong foundation
for understanding the role of raga music in contemporary composition. Furthermore, the investigation
into raga music's history, composition structure, and characteristic elements has also demonstrated its
influence on legendary musicians such as John Coltrane, John McLaughlin, and Miles Davis.
Through case studies of my compositions, I have illustrated how raga elements, such as melodic
improvisation, rhythmic structures, and tonal relationships, can be effectively integrated into
contemporary compositions to create a distinct sound that reflects the artist's individuality and cultural
background. Furthermore, documenting the compositional process with audio and video extracts
provides a practical approach for artists interested in incorporating raga music or other cultural traditions
into their compositions. Publishing the thesis as a webpage is way of disseminating artistic research and
make it accessible on a global scale.
Is it possible to approach and research a topic differently than this dissertation? Indeed, there are
multiple methods and approaches available for research. For example, another perspective is that a
more comprehensive scholarly analysis and case studies of successful composers incorporating raga
musicians could demonstrate its potential in shaping a signature sound. While my research has
limitations, mainly its focus on specific raga elements that may only apply to certain genres of music, it
serves as a reminder of the significance of exploring cultural traditions and contextualizing musical
practices in developing an original and distinctive artistic voice. Therefore, I recommend further
exploration of raga music and other cultural traditions in contemporary music production to develop more
diverse and dynamic musical landscapes.
However, the methods and techniques used in this study were chosen based on their relevance to the
research questions and the project's scope, where the intertwinement of sound and text is essential.
Overall, my artistic field of interest has been the driving force behind this work, intending to contribute to
the growing field of artistic research.
To incorporate raga music or other cultural traditions into their compositions, artists can start by studying
the history and characteristic elements of the music they want to include. This can help them understand
how these elements can be used in a contemporary context. Experimentation with different rhythmic and
tonal structures can also help artists develop a unique signature sound that reflects their cultural
background. Collaboration with musicians from different cultural backgrounds can bring fresh
perspectives and help create a more diverse and dynamic musical landscape.
As artists, pushing boundaries and exploring new ways of creating and shaping our signature sound is
crucial. With a better understanding of cultural traditions and a willingness to experiment and integrate
diverse influences, we can develop new forms of musical expression that enrich our creative lives and
engage audiences in exciting new ways.