My art historical position in Germany and Japan:
To see in the work - Please smile, spiritual CO2 (2023)
Mirror floor piece Ceiling /Ceiling work
The characteristics of my work lie somewhere between traditional Japanese art and German Expressionism includes Belgian expresionism*, was the Fine arts between the 17th century till 19th century in Japan.
*Flemish Expressionism, also referred to as Belgian Expressionism, was one of the dominant art styles in Flanders during the interbellum. Influenced by artists like James Ensor and the early works of Vincent van Gogh, it was a distinct contemporary of German Expressionism.[1] Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork.[1] It was also in general more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and folk traditions.[2] Flemish Expressionists like Spilliaert were more influenced by Ensor and Symbolism, or like Wouters were closer to the vibrant colours used by the Fauvists. The main proponents were Gust De Smet, Constant Permeke and Frits Van den Berghe.[3]
https://en.wikipedia.org/wiki/Flemish_Expressionism
I was born in 1963 in Hiroshima, Japan.
His work was ready in the norm as a sculpture.
When I was a child, I started by creating clay portrait of my classmates, I received a prize for this clay portrait in art competitions, for which I won many awards. And when it came to sculpture, it was the work of Roy Scott. The bronze statues were already historic sculptures.
"Roy Ascott: Form has Behaviour brings together four of his interactive sculptures made in the 1960s – which he termed ‘analogue structures’ alongside his ‘Manifesto for Cybernetic Art’ (1963). The term analogue has its roots in the Greek analogos, meaning proportionate; in its contemporary application, it expresses the ability of a mechanism to physically represent the quantity it measures.
https://henry-moore.org/whats-on/roy-ascott-form-has-behaviour/
