This paper deals with the complex topic of originality and authenticity through algorithmic AI in human and non-human society. This paper, let us re-consider that "fake" is not something we generally perceive.
Destruction and construction due to changes in the theory of "capital" and its materialism in and from modern times.
Women's art is the mainstream in contemporary art.
For example, works of art by Chiharu Shiota, a Japanese artist who represents Japan, or the mainstream works of art in the United States and Germany, I think that the auction will disappear naturally.
On the other hand, the emergence of NFT art.
Finally, in the 21st century, the originality and authenticity of works of art will change dramatically. It takes time for aesthetic judgement of the 21st century, it will have happened about 70 or 80 years later.
Since the beginning of the 21st century, the right path of capitalism has collapsed, and the bubble economy has become the goal of escape from inflation and deflation, even though the bubble economy is impossible. But what really happens is that the bubble economy widens the gap between the rich and the poor, politics becomes strongly right-wing in each country, and conflicts and wars occur.
Under such circumstances, it is an era in which mass production is no longer "capital" and must be transformed into a creative era.
Of course, it is permissible for a person to own as many luxury cars as he/she wants, whether they have two or three cars if that person can. Still, there are administrative costs and taxes that are incurred.
I think that Rembrandt was reading Latin books at a time when literate people weren't generally.
Japanese Dutch studies 蘭学 (medicine (anatomy), law and architecture) were also based on Latin, even if it was in Dutsch, is the relationship with Renaissance in Japan.
At the same time, research on Chinese studies 漢学 was active in Japan. Daoism and Chinese Mathematics, Astronomy.
The relationship between Japan and Netherlands (Dutsch):
It was a long and deeply relationship (In Hiroado, Japan 1600 (arrived in Japan), from 1634 to 1854 in Dejima, Japan)
I mentioned that is a kind of 'reproducing' by humans.
My suggestion is thereby for a new lifestyle towards 'historical reproduction', is a new economic solution, it was always in the history.
->The existence of gold, which is the material of the earth, is not so great and a very little part. There is also no meaning. The materialism of capitalism in the modernity of the 20th century is changing currently, such as the Russian Military Invasion of Ukraine is a conflict between Western and Eastern.
When originality and authenticity will be important in the art world, that is clear for the auction.
What is 'auction' in the art world?
I studied Fine arts in the institute for art in context at UdK Berlin, so I needed (had) to write from both aspects. So, I studied the Western fine arts in theory and praxis academically. It was a type of today's Pre-PhD course in Study of Fine arts, which was an art academic study. It required two years of art professional praxis. I had the exhibitions at the museum, which was my contribution to the study of sculpture. The study of academic Fine arts is not only to create the art object. It is a very hard study of Art history, Philosophy of Art, Ethics, Aesthetics, Phenomenology, Epistemology, Linguistics, Educational Psychology, Gender studies, Art medium, art techniques, materiality, and so on practically and theoretically.
The Edo period (江戸時代, Edo jidai) or Tokugawa period (徳川時代, Tokugawa jidai) is the period between 1604 and 1867
The meiji era was rom October 23, 1868 to July 30, 1912.
Io mi senti' svegliar dentro a lo core"
Io mi senti' svegliar dentro a lo core
Un spirito amoroso che dormia:
E poi vidi venir da lungi Amore
Allegro sì, che appena il conoscia,
Dicendo: "Or pensa pur di farmi onore";
E 'n ciascuna parola sua ridia.
E poco stando meco il mio segnore,
Guardando in quella parte onde venia,
Io vidi monna Vanna e monna Bice
Venire inver lo loco là 'v'io era,
L'una appresso de l'altra miriviglia;
E sì come la mente mi ridice,
Amor mi disse: "Quell'è Primavera,
E quell'ha nome Amor, sì mi somiglia."
What was new for the new life in Italian post-war? – Ethics in contemporary art (New Art/Neue Kunst before and after the second world war in Italy)
- Film Installation (Audiovisual installation) with the new projection technology, its new time and space in the lyric and narrativity
- Italian post-war, from Fathership to Mothership art as a Healing in the new capitalism and its new symbolism.
- Mothership in Japan and in Italy; the sun is a feminine symbol in Shinto in Japan, and the sun (il sole) is a masculine symbol in Christian in Italy
Projection and femininity in Italian culture (closing to the Islamic culture in the Italian culture, in the review of Nechvatal, it is Byzantine culture.
film Il Vangelo secondo Matteo (The Gospel According to Matthew) ):
Die Sonne in German, il sole in Italian
Der Mond in German, la lune in Italian
Nowadays, gender studies are compulsory, so men are also studying from a feminist perspective. Feminism in the study today is not only for women, but rather it is a very important study for men in art and humanity academically. It is an era when men are aware of and reform the male dominant rights in society and patriarchy.
The critic to a competitive capitalist society and its subconscious through the arts
A critical theory is any approach to social philosophy that focuses on reflective assessment and critique of society and culture to reveal and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation.[1]
La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; Italian for "The New Life") or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
The question is, Today, what do we love? – Love in materialism
Vita Nuova in Italian post-war was probably a falling in love, was a new life. Therefore, did love crush Italian fascism?
Workshops in Green x as a starting point of deconstruction of the subconscious of the 20th century from the aspect of post-post colonialism towards neo colonialism:
Three guests of my suggestion
- Joseph Nechvatal (artist, art critics)
- Thoman Fuchs (neuroscientist)
- Bence Nanay (philosopher in art and culture, critical theorist/journalist)
I see also "Vita Nuova is a good show not only because it casts light on what were once considered marginal artists, but because it reminds us that in order for painting or cinema to be dissonant with contemporary consumer culture, it must risk its very identity as painting and cinema. " of Nechvatal in his review. And how I see, is in the new symbolism, is a kind of ideology (reproducing of).
Alberto Grifi with their ecstatically chopped-and-stretched montage film La Verifica Incerta (The Uncertain Verification, 1964-1965) that was inspired by Marcel Duchamp and made from catch-as-catch-can recycled film clips from Hollywood.
This paper Introduction is academic research by Mathias Fuchs & Ramón Rechert, and Theoretical exploring modell x 4 is my exploring in artistic research through artistic sense without knowing theoretically. I call it "quasi deep learning". I did not read this paper Introduction before. Now I will start to reflect on my artistic research theoretical exploring model x 4. Finally, I will start to read this paper Introduction emotionally and can understand it in sense. Then learning will maybe fun. This model aims to make learning more enjoyable for children and youth, rather than a habit of rebellion or obedience towards and under the machine.
Generative art:
R (Programming language)
R is one of 5 languages with an Apache Spark API, along with Scala, Java, Python, and SQL.[53][54]
Generative Art and R
On Pual Klee'd idea briefly (in the works):
Klee's idea was based on Japanese tradition such as へのへのもへじ, today's (data based) a new idea of articulation, mathematical nonsense of 'seeing-in' (i.e. in Richard Wollheim).
After these workshops as the starting point of my artistic approach, I will be able to relate with artists and their artworks in the global south (the third countries). Otherwise, as a female artist and colour, and non-Western artist, it is impossible to relate with the global south in their institutions because of racism and sexism by their patriarchy, even if the second countries such as Russia.
Art criticism is the discussion or evaluation of visual art.[1][2][3] Art critics usually criticize art in the context of aesthetics or the theory of beauty.[2][3] A goal of art criticism is the pursuit of a rational basis for art appreciation[1][2][3] but it is questionable whether such criticism can transcend prevailing socio-political circumstances.[4]
With my 'quasi deep learning' (emotional learning) method using AI, I love studying now, thereby creating art makes me fun for creativity (to create visual and audio codes as an expression or a narrativity) with a new notion as my experience through reading.
To see on the subject of 'transversality' of the body in my artwork/project is B.O.D.Y. - hidden codes
-> On undescribed Femininity/unbeschriebene Weiblichkeit and gender equality in the digital and information society era -> Post-feminism in the 21st century
As an artwork, Nechvatal is "an art is something 'x'" towards such as Da Vinci's. Da Vinci's artwork and his exploration were in the direction of the art, either art could be a weapon or the aim of peace (Medicine and Religion), which is the Western traditional art and science from the Renaissance in Europe. In the New art (Neue Kunst) in Europe, 100 years ago, many artists such as Surrealism, Dada, Cubism, as well as Bauhaus rejected that direction and started art movements of contemporary art.
Franz Koppe war der Professor of Philosophy at the HdK Berlin/UdK Berlin, Germany. I studied Thesen of Nelson Goodman, Arthur C. Danto, and many others. My artistic research "Point in Time" (2013), I dedicted his death. The concept, the participating artists and the event were well received. As a starting point for an art lab in Berlin, it was successful in 2013. Nevertheless, Part 3 was so difficult that I couldn't deal with feminist art beyond the continent profoundly, because of the classical education of male and female in the context of the classical society. Feminist art in another continent would be involved in the total conservative. My suggestion is thereby not for the ideological, but rather technological solution. In fact, technology has liberated women from female slavery. For example, from house organisation in daily life such as washing, cleaning, and cooking. -> Mariarosa Dalla Costa
I think that Mariarosa Dalla Costa's theory might be possible to apply to postcolonial feminism in the global south (third world), in the context of Christian culture and native culture.
Unfortunately, in 2014, some important documents were stolen by the robbery (burglary) in my atelier. In 2014, it was a very hard year, because the crisis in Ukraine, was changed in Berlin also. (When a dispute arises, then crime increases. Rivalry will also be fierce.)
„Nach Nelson Goodmans These sind Sinn und Zweck von Kunst und Wissenschaft gleich. Beider Ziel sei Erkenntnis. Und zwar Erkenntnis als (selegierende, sortierende, konstruierende) Organisation von Wissen. In diesem Sinne ist das Wesen von Wissenschaft und Kunst gleichermaßen >kognitiv<, ihre Qualität >kognitive Vortrefflichkeit<.“ (Franz Koppe: Kunst als entäußerte Weise, die Welt zu sehen. Zu Nelson Goodman und Arthur C. Danto in weitergehender Absicht. In: ders. (Hrsg.): Perspektiven der Kunstphilosophie. Texte und Diskussionen; Frankfurt/M., 2. Aufl. 1993)
According to Nelson Goodman’s thesis, the aim and purpose of art and science is the same: cognisance, i.e. insight as the (selecting, sorting, construing) organisation of knowledge. In this sense, the essence of science and art is equally “cognitive”, its quality “cognitive excellence”. (Franz Koppe: Kunst als entäußerte Weise, die Welt zu sehen. Zu Nelson Goodman und Arthur C. Danto in weitergehender Absicht. In: Franz Koppe (Ed.) Perspektiven der Kunstphilosophie. Texte und Diskussionen; Frankfurt am Main, 2nd edition, 1993.)
The context of this artistic research is human and non-human society.
But, I don't know yet, what is a human and non-human society.
Do you know it?
Pi and geometry, and Rosewater's 'femininity', a culture of elegance, but elegance could also be very brutal. (Elegance is not the same as sensitivity.) ...
Symbolism: The important question is thereby whether symbolism could be awareness as well as knowledge? The problem and the gap between formalism and knowledge in culture. (a necessity for/toward semi-formalism)
The artworks of those three artists are male, but their works deal with the subject of sensibility after the anthropocene from the perspective of the 21st century.
Most of the represented women's artworks are the great, strong, unique, or imaginative femininity, however, are generally have a strong impact.
Whether is art activism semi-formalism? Today's art activism its dual poles between the right concept and the left concept. The contemporary law for freedom of expression is open to both poles.
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feel intense dislike for."the boys hate each other"
Opposite:
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have a strong aversion to (something)."he hates flying"
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used politely to express one's regret or embarrassment at doing something."I hate to bother you"
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hesitate
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informalexpress strong dislike for; criticize or abuse."I can't hate on them for trying something new"
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intense dislike."feelings of hate and revenge"
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hOpposite:favourite thing
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In West Berlin during the 90's, the feminist movement was centered around homosexuality, especially men's coming out and men's feminism were very important against father land (reunificated Germany). It wasn't mixed with homosexuals, heterosexuals, and bisexuals as it is now. It was still a separate era of men and women, but in gender studies, there were not only women's studies but also men's studies. It was the time, that was started to explore gender, and to be activated as lifestyle in Berlin.
In my experience, it is better for men to explore their own femininity, which reduces violence against women and allows women and men to become friends across genders. Equality between women and men is, in some cases, a social competition between men and women. Maybe, the male pride that "I am a man" kills a woman.
I want you to raise humans, not social males. I want you to raise humans, not females loved by males. Why do women prostitute? Because men are often incapable of working, such as who is her father, her married person, or her lover.
Holocaust is not racism, Holocaust was fascism. It was the German Nazi war crimes. Today, in Western countries including Japan, racism is prohibited. Antisemitism is racism and an ideology, so it is forbidden and is a criminal act. Do you know "What is racism"? ...let's think, why is Antisemitism forbidden? and what is 'ideology'? If the black Americans call up Antisemitism, it means that they allow 'racism'. then, the law in the human-right does not work against racism. I think that is not performative, but rather self-destructive for and by the black Americans. ...
Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Colour
by Kimberle Crenshaw
-> On undescribed Femininity/unbeschriebene Weiblichkeit and gender equality in the digital and information society era -> Post-feminism in the 21st century
The concept of intersectionality was introduced to the field of legal studies by black feminist scholar Kimberlé Crenshaw,[15] who used the term in a pair of essays published in 1989 and 1991.[8] While the theory began as an exploration, primarily, of the oppression of black women within society and the ways in which they both exist at an intersection, and experience intersecting layers of different forms of oppression, today the analysis has expanded to include many more aspects of social identity. Identities most commonly referenced in the fourth wave of feminism include race, gender, sex, sexuality, class, ability, nationality, citizenship, religion, and body type. The term was not adopted widely by feminists until the 2000s and has only grown since that time.
'necessity' is not a common, but rather a reason of each oneness..., that is something that cannot be forced.
Fourth-wave feminism became a movement for women to speak up and share their experiences online about sexual abuse, sexual harassment, sexual violence, the objectification of women, and sexism at the workplace, by using the hash tag to give away the individual or individuals. The internet gave women the opportunity for their voice to be heard around the world in a matter of seconds. The internet became a universal platform offering women the opportunity to speak freely about sensitive topics on their own time and on their terms. As women all over the world began sharing their personal stories they realized the magnitude of the problem and how it was happening everywhere. The use of the internet is a key factor of the fourth-wave.[4]
Hash Tag and its contradiction in the social media:
For example, losing the meaning and the context of the subject, virtual collectivity, misreading, and so. However, it was integrated into the society (Normalised) -> Civil rights, Human rights, Individual property, Private sphere
-> It seems that it was integrated into the society
Lesbian, Gay, Bisexual, and Transgender (LGBT) rights in Israel
Same-sex marriage cannot legally be performed in Israel.
From my research aspect, 'intersectionality' works only in narrativity, but it's better not only ontological way, but rather contradictional, those of diversity.
Digital global culture and its economic solution through the community:
I mention that is an avant-garde through the community in the digital era, which dose not provide by the big date of the social media in a starting point of the small data.
I think that the small data is not only for the archive.
Current issue of anti-semitism in Europe from my research aspect is the Western politics in Islamic countries including Palestina together with the historical European/Western virtuality.
My question is thereby, whether the feminist movement and feminist academic aspect through 'intersectionality' can solve those world and historical issues?
For example, the discrimination in caste system of the third world for the transition from tradition to modernity, as well as the issue of neo colonialsim in capitalism.
-> Germany is a country of double meaning, I don't know in which way they are, whether Zionism or Antisemitism?
Origin of 'intersectionality':
What is intersectionality?
Put simply, intersectionality is the concept that all oppression is linked. More explicitly, the Oxford Dictionary defines intersectionality as “the interconnected nature of social categorisations such as race, class, and gender, regarded as creating overlapping and interdependent systems of discrimination or disadvantage”. Intersectionality is the acknowledgement that everyone has their own unique experiences of discrimination and oppression and we must consider everything and anything that can marginalise people – gender, race, class, sexual orientation, physical ability, etc. First coined by Professor Kimberlé Crenshaw back in 1989, intersectionality was added to the Oxford Dictionary in 2015 with its importance increasingly being recognised in the world of women’s rights.
https://www.womankind.org.uk/intersectionality-101-what-is-it-and-why-is-it-important/
From my research aspect, there are many gaps between local and nations and global levels of nations (and their originality) of the space-time in which people live and operate.
The problem (conflict) between Israel and Palestine becomes bigger and more serious internationally, the more political solution gets to be involved with more and more other nations.