Works Cited
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The Category of the Person, ed. by Michael Carrithers, Steven Collins and Steven Lukes (London: Cambridge University Press, 1985)
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Paul Ekman and Wallace Friesen, Unmasking the Face (Englewood Cliffs: Prentice -Hall, 1975)
Eric Hetzler, ‘The Actor’s Experience: A Survey and Interviews of Actors Examining the Experience of Performing’ (doctoral thesis, University of Exeter, 2007)
Richard Hornby, The End of Acting (New York: Applause Books, 1992)
Elly Konijn, Acting Emotions, trans. Barbara Leach with David Chambers (Amsterdam: Amsterdam University Press, 2000)
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A.N. Oppenheim, Questionnaire Design, Interviewing and Attitude Measurement (London: Continuum, 2003)
Joseph Roach, The Players Passion (Ann Arbor: University of Michigan Press, 1993)
Shelley Russell-Parks, A Phenomenological Analysis of the Actor’s Perceptions During the Creative Act. (Ann Arbor: University Microfilms International, 1989)
Patricia Salant and Don Dillman, How to Conduct Your Own Survey (New York: John Wiley & Sons, Inc., 1994)
Metta Spencer, Two Aspirins and a Comedy (Boulder: Paradigm Publishers, 2006)
Roxane Rix, ‘Alba Emoting: A Revolution in Emoting for the Actor’, in Performer Training: Developments Across Cultures ed. by Ian Watson (London: Routledge, 2001)
Philip Weissman, Creativity in the Theater: A Psychoanalytic Study (New York: Basic Books, Inc., 1965)
Carole Zucker, In the Company of Actors (London:A&C Black, 1999)