Research Catalogue

About this exposition

ON KLÄNGE - SPACE, TIME AND BODY This artistic research project entitled "Variations'' by Erika Matsunami was started to explore a multi-layered open score, "Corona" (1962) for pianist(s) by Toru Takemitsu in 2020, which became a starting point of Takemitsu oeuvres. Thereby, I developed the different ideas of three variations from the aspect of the 21st century. The research question is: "Is music rather phenomenal than to express?" The starting point of this artistic research is a new interpretation "Corona-STEMS-GALAXYOMEGA" (May 2020) by Lukas Huisman who is a pianist and holds a PhD in the performing arts/piano in classic-modern music. (It is the same as the artistic master in the classical sense for teaching. He is not a performer, he can practically study the piano (artistic material) techniques at the academic level, and he can teach his techniques as his original in Toru Takemitsu. He is the PhD master of classic modern in piano for education.) He started to embody "Corona" (1962) by Takemitsu together with the composer and sound artist Patrick Housen. Huisman and Housen are called Graphology duo. (Graphology duo is a musical performative duo formed by Patrick Housen with live electronics and Lukas Huisman on piano.) With "Variations", I attempt to address the question of immateriality in the arts and the academic meaning (Sinne) on immateriality in artistic research. I question the context from the critical aspect of neuroscience, and ask whether "immateriality" – the aesthetic value in the arts – is or is not in today’s technology? How can "immateriality" in the arts be judged today with the technology in aesthetics? (The approach of Kant in today's aesthetics as well as philosophy, without the study of neuroscience, this subject could not be researched.) Takemitsu's aim of the study in his multi-layered open score "Corona" (1962) is not only for the general piano piece, it was also started in his musical composition study under Cage. In "Variations", I have been working and researching the origin of Toru Takemitsu's ideas. I collaborate(d) with Housen as a visual artist for a sound installation in this artistic project. This resulted in the artistic research project "Variation I", which relates to this artistic research on "Klänge - Space, Time and Body". I, as a visual artist, have been exploring the subject of time and space in "Corona" (1962) for pianist(s) by Toru Takemitsu for the exploration of a new interpretation; it was the starting point of "Variations" which consists of three parts of artistic research. My practical contribution is a performance in the site-specific installation for "Variation I" - ("Corona without Pianist for 4-ch discrete sound installation - an invisible sense ‘who is left to drift in the loneliness of the remaining scent’" in 2020. Thus, the theoretical exploration is in terms of ongoing artistic research in the philosophy of sound. The aim of this artistic research "On Klänge - Space, Time and Body" is toward the new multi-layered open score "Variation I, II and III". In 2020, it was simultaneously the subject of "Corona-STEMS-GALAXYOMEGA" by the Patrick Housen and Lukas Huisman duo, and "Corona without Pianist for 4-ch discrete sound installation - an invisible sense ‘who is left to drift in the loneliness of the remaining scent’" by Erika Matsunami. Variation II consists of a collaboration with the composer Valerio Sannicandro (PhD in Musicology) and deals with the subject of the spontaneous within the topic of DNA from the biological aspect. Therefore, joint artistic research will explore the philosophy of sound from the aspect of musicology and aesthetics in 2021. (In the works)

type	research exposition
keywords	Perception and Consciousness, Transculturality, Transversality, Performativity
date	16/07/2020
last modified	16/07/2024
status	in progress
share status	public
copyright	Erika Matsunami
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/951585/1157209

id	name	copyright	license
951782	Corona	@ 1972 Édit¡ons SALABERT	All rights reserved
956654	Corona-STEMS-GALAXYOMEGA - copy	Lukas Huisman	All rights reserved
957088	Corona-STEMS-GALAXYOMEGA - copy	Lukas Huisman	All rights reserved
957089	Corona-STEMS-GALAXYOMEGA - copy - copy	Lukas Huisman	All rights reserved
958112	Corona-STEMS-GALAXYOMEGA_Lukas_performance - copy	Erika Matsunami	All rights reserved
971847	B.O.D.Y.-Tsuki o shita(f)u_#01_detail_01	Erika Matsunami	All rights reserved
1053794	IMG_6779_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1053804	IMG_6779_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1053806	IMG_6784_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1053811	IMG_6788_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1053813	IMG_6791_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1053816	IMG_6792_a.o.i. - lasting memories	Erika Matsunami	All rights reserved
1070246	KOTO_excerpt_Erika Matsunami	Erika Matsunami	All rights reserved
1099441	09061220_Erika Matsunami_Corona without pianist	Erika Matsunami	All rights reserved
1099455	a.o.i-lasting memories_toy piano_mono	Erika Matsunami	All rights reserved
1099458	a.o.i. - lasting memories_toy piano_2_mono	Erika Matsunami	All rights reserved
1102920	N.N-Zwischenliegend_komposition_vol1_Ausschnitt_01 - copy	Erika Matsunami, GEMA Germany	All rights reserved
1103494	IMG_6570_silent_schweigend - copy	Erika Matsunami	All rights reserved
1143659	Erika(left)&Misako(right)_Dance_1997:1998	©Erika Matsunami	All rights reserved
1151323	Concept_a.o.i. - lasting memories	©Erika Matsunami	All rights reserved
1151537	Concept_a.o.i. - lasting memories	©Erika Matsunami	All rights reserved
1159307	A Layer_Starting point_a.o.i	©Erika Matsunami	All rights reserved
1168409	Portfolio_a.o.i. - lasting memories (drafts)	Erika Matsunami, Valerio Sannicandro	CC BY-NC-ND
1196061	sound-sketch-DEZ-2011-final2012	©Erika Matsunami	All rights reserved
2936923	140906_010_Koto_Erika Matsunami	Erika Matsunami	CC BY-NC-ND

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On Klänge - Space, Time and Body (last edited: 2024)

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