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It happens that sometimes a specific framed space catches our attention making us to stare at it. This action it’s difficult to explain in a first approach. It is linked to the emotions and to the imagination. This research is the study into the parameters of why a specific perspective can trigger our imagination. The interest in this topic started with the intention of relate architecture and cinema, wondering how spaces can become cinematographic and how much the perspective and composition of elements can play an important role in how the spectator gets the information. Why cinema? The cinema is part of the popular culture and very easy to refer to it, easy to recognise and to use it as an example. The analysis of the cinematographic references has enriched the analytical methodology, not just as a library of examples but also as a way of creating new ways of explaining. The analysis of cinematographic images helps to reveal specific spatial concepts that we don’t necessarily see. By training the eye to see these spatial characteristics in specific framed images, we are capable to recognise them in our surroundings. I am especially interested in those spaces that help things to remain hidden. I would rather choose to analyse an image with a semi opened door through which we can see a part of a kitchen than an image showing the complete kitchen. I believe that our mind completes the missing information that the image doesn’t provides, and then a potential narrative appears into the structure of the specific perspective. These research has grown into the consideration of the space that is being observed, the specific position of the observer itself and the awareness of these structure that could be witnessed by a second observer as an omnipresent spectator.

type	research exposition
date	09/07/2020
last modified	30/03/2024
status	in progress
share status	public
copyright	Aina Roca
license	All rights reserved
url	https://www.researchcatalogue.net/view/948497/1134001

name	08_PH_01
copyright	aina roca
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name	08_PH_02
copyright	aina roca
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name	08_PH_03
copyright	Pieter de Hooch
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name	My home
copyright	Aina Roca
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copyright	Aina Roca
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name	08_GC_01
copyright	Gregory Crewdson photo
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name	02_04_ME
copyright	Michael Eastman photo
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name	04_03_BC
copyright	bosch capdeferro arquitectura
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name	05_The shining_03
copyright	The Shining
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name	06_N_03
copyright	Nostalgia
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name	07_06_MF
copyright	Marià Fortuny
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name	08_PH_03
copyright	Pieter de Hooch
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name	09_02_04_TS
copyright	The Shining
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name	04_Rope 01_03
copyright	Rope
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name	04_Rope 02_04
copyright	Rope
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name	04_ROpe 03_03
copyright	Rope
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name	10_Budapest_01_02
copyright	The Grand Budapest Hotel
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name	11_Budapest_01_02
copyright	The Grand Budapest Hotel
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name	Rope
copyright	Rope movie poster
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name	Rear Window
copyright	Rear Window. Movie Poster
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name	In the mood for love
copyright	In the mood for love. Movie Poster
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name	The Nightwatching
copyright	The Nightwatching. Movie poster
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name	moorise-kingdom-final-poster
copyright	Moonrise Kingdom. Movie Poster
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name	The Grand Budapest Hotel
copyright	The Grand Budapest Hotel. Movie poster
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name	Om det oändliga_Roy Andersson
copyright	Om det oändliga_Roy Andersson
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name	Aina Roca_Foto
copyright	aina roca mora
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