name | Conclusion |
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name | On Multiple paths |
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copyright | The transformation of the physical space over time as musical parameter |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | On FluxPattern |
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copyright | The etude as compositional form in Live Computer Music |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | On KVSwalk |
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copyright | Bringing Sonification strategies into the stage |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | On PLP |
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copyright | The score as condensation of improvisational processes |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | TN:AoH |
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copyright | Mapping as compositional strategy |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | Interpretation paths |
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copyright | Interpretation paths: Introduction |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | Re-appropriation |
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copyright | Interpretation as Re-appropriation |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | Reinterpretation |
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copyright | Interpretation as Reinterpretation |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | Reconstruction |
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copyright | Interpretation as Reconstruction |
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name | Main |
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copyright | Summary |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | Introduction |
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copyright | Introduction |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | ThesisMenu_BLUE |
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copyright | Juan Parra Cancino |
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usages | picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture |
name | controller_MP |
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copyright | Juan Parra Cancino |
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usages | video |
name | MazurNeuringerParraExcerpt |
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copyright | Juan Parra Cancino |
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usages | video |
name | VIOLIN_pulsetotexture |
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copyright | Juan Parra Cancino |
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usages | video |
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copyright | Juan Parra Cancino |
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name | DanaClipUnstableHarmonic |
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copyright | Juan Parra Cancino |
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name | DanaClipPulsetotexture |
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copyright | Juan Parra Cancino |
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usages | video |
name | VIOLIN_unatainableHarmonic |
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copyright | Juan Parra Cancino |
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usages | video |
name | VIOLIN_MiniMultiplePaths |
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copyright | Juan Parra Cancino |
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usages | video |
name | Multiple Paths 8: Omaggio a Nono |
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copyright | Juan Parra Cancino |
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usages | video |
name | MultiplePaths_I_ Omaggio A Nono |
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copyright | Juan Parra Cancino |
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usages | video |
name | MultiplePathsI_Feb2013 - Full Score |
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copyright | Juan Parra Cancino |
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usages |
name | MultiplePaths_8tet - Full Score |
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copyright | Juan Parra Cancino |
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usages |
name | PulsoTotextureBASS |
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copyright | Juan Parra Cancino |
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usages | audio |
name | ShortHarmBASS |
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copyright | Juan Parra Cancino |
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usages | audio |
name | MultiplePathsBINAURAL |
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copyright | Juan Parra Cancino |
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name | On Multiple paths - copy |
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copyright | The transformation of the physical space over time as musical parameter |
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usages | picture |
name | On Multiple paths - copy |
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copyright | The transformation of the physical space over time as musical parameter |
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usages | picture |
name | E-Hammer mental_example |
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copyright | Rodrigo Sigal |
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name | FluxPatternClock |
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copyright | Juan Parra Cancino |
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name | CatherineJuanHenry_SHORT |
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copyright | Juan Parra Cancino |
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name | FluxPatternCatherineSHORT |
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copyright | Juan Parra Cancino |
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name | fluxPatternStefanSHORT |
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copyright | Juan Parra Cancino |
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usages | video |
name | FluxPattern VII |
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copyright | Juan Parra Cancino |
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name | Flux|Pattern II |
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copyright | Juan Parra Cancino |
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usages | video |
name | mental_excerpt |
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copyright | Rodrigo Sigal |
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name | FluxPattern_FLUTE |
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copyright | Juan Parra Cancino |
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usages |
name | miniPLPwithDrawings (1280 x 720) |
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copyright | Juan Parra Cancino |
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name | FinalSTEIMperformance |
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copyright | Juan Parra Cancino |
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name | slsteim1_eachsymbolSHORT |
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copyright | JuanParra Cancino |
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name | PLP_I_ORCIM_excerpt |
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copyright | Juan Parra Cancino |
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usages | video |
name | PLP_I |
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copyright | Juan Parra Cancino |
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usages |
name | PLP_I_LOGOS_Mastered |
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copyright | Juan Parra Cancino |
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usages | audio |
name | ControllerKVS |
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copyright | Juan Parra Cancino |
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name | ManualGrains |
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copyright | Juan Parra Cancino |
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usages | picture |
name | ManualSynth |
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copyright | Juan Parra Cancino |
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usages | picture |
name | Simbol_V |
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copyright | Juan Parra Cancino |
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usages | picture |
name | Simbol_IV |
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copyright | Juan Parra Cancino |
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usages | picture |
name | Simbol_III |
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copyright | Juan Parra Cancino |
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usages | picture |
name | Simbol_II |
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copyright | Juan Parra Cancino |
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usages | picture |
name | Simbol_I |
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copyright | Juan Parra Cancino |
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name | SchemataWanderleyPARRA |
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copyright | Juan Parra Cancino |
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usages | picture |
name | WanderleySchemata |
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copyright | Marcelo Wanderley |
license | All rights reserved |
usages | picture |
name | KarmanVortexStree_Formula |
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copyright | wikipedia |
license | All rights reserved |
usages | picture |
name | KVS patch example |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | controller_KVS |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | miniKVSwalkwithDrawings (1280 x 720) |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | KVSwalkORCiM_excerpt |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | ElasticaMiniexcerpt_2011 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | karman vortex street |
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copyright | Alexander Mordvintsev |
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usages | video |
name | drawing |
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copyright | Michael Schwab |
license | All rights reserved |
usages | video |
name | KVSNetwork_VideoTest - YouTube [360p] |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | KVSwalk solo (Reactable) |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | KVSwalk_SCORE |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages |
name | VegaTronics_excrpt |
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copyright | Henry Vega |
license | All rights reserved |
usages | audio |
name | tellura_excerpt |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | audio |
name | pithoEXAMPLE |
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copyright | Iannis Xenakis |
license | All rights reserved |
usages | audio |
name | TIMBRE_NETWORK_AOH |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | picture |
name | Screen Shot 2014-05-15 at 20.11.34 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | picture |
name | Screen Shot 2014-05-15 at 20.11.40 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | picture |
name | controllers_AoH |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | AoH patch example |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | aoh_Kitab_excrpt |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | AoHJune07NR |
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copyright | Juan Parra Cancino |
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usages | audio |
name | Xenakis_S709excerpt |
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copyright | Iannis Xenakis |
license | All rights reserved |
usages | audio |
name | TerminusExcerpt |
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copyright | G. > Koenig |
license | All rights reserved |
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name | lonquimay_excrp |
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copyright | Juan Parra Cancino |
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name | nomograph analysis |
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copyright | David Tudor/J. Pritchett |
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name | Nomographs1 |
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copyright | David Tudor |
license | All rights reserved |
usages | picture |
name | AriaFontanaMiximage1 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | picture |
name | FontanaMixRun patch example |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | Aria/Fontana mix |
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copyright | John Cage (1958) Arr. Juan Parra Cancino (2009) |
license | All rights reserved |
usages | video |
name | amp1 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | wind1 |
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copyright | Juan Parra Cancino |
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name | inst3 |
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copyright | Juan Parra Cancino |
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name | elec3 |
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copyright | Juan Parra/Max Nieuhaus |
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name | country2 |
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copyright | Juan Parra Cancino |
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name | city2 |
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copyright | Juan Parra |
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name | A Pierre Snapshot new |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | SnapshotPPPD_Max |
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copyright | Juan Parra Cancino |
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name | postpraeludiumSKETCH |
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copyright | ALN |
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usages | picture |
name | SchemaPPPD |
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copyright | ALN |
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usages | picture |
name | A_Pierre_scheme |
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copyright | Ricordi |
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name | DSCN3015 |
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copyright | Banff |
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name | Controllers_Nono |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | APierre_PATCH_Flow |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | A Pierre p. 12 Scan001 |
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copyright | Ricordi |
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name | LuigiNono_A_PIERRE |
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copyright | Luigi Nono |
license | All rights reserved |
usages | audio |
name | Ending of Score |
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copyright | Morton Feldman |
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name | Patch_Full |
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copyright | Juan Parra Cancino |
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name | Patch_resonatorsDetail |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | picture |
name | denmark |
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copyright | Morton Feldman |
license | All rights reserved |
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name | Controller_KOD_NEW |
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copyright | Juan Parra Cancino |
license | All rights reserved |
usages | video |
name | KoD patch example |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | KodAcademy2012 (1280 x 720) |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | KOD_examples3_NEW |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | KoD_examples2 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | KoD_examples1 |
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copyright | Juan Parra Cancino |
license | All rights reserved |
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name | ExcerptNeuhausKod |
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copyright | Max Neuhaus |
license | All rights reserved |
usages | audio |
name | Conclusion - copy |
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copyright | Conclusion |
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usages | picture |
name | On Multiple paths - copy |
---|---|
copyright | The transformation of the physical space over time as musical parameter |
license | All rights reserved |
usages | picture |
name | On FluxPattern - copy |
---|---|
copyright | The etude as compositional form in Live Computer Music |
license | All rights reserved |
usages | picture |
name | On KVSwalk - copy |
---|---|
copyright | Bringing Sonification strategies into the stage |
license | All rights reserved |
usages | picture |
name | On PLP - copy |
---|---|
copyright | The score as condensation of improvisational processes |
license | All rights reserved |
usages | picture |
name | TN:AoH - copy |
---|---|
copyright | Mapping as compositional strategy |
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usages | picture |
name | TN:AoH - copy |
---|---|
copyright | Mapping as compositional strategy |
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name | Interpretation paths - copy |
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copyright | Interpretation paths: Introduction |
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name | Re-appropriation - copy |
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copyright | Interpretation as Re-appropriation |
license | All rights reserved |
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name | Reconstruction - copy |
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copyright | Interpretation as Reconstruction |
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name | Reinterpretation - copy |
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copyright | Interpretation as Reinterpretation |
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name | Introduction - copy |
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copyright | Introduction |
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name | ThesisMenu_BLUE - copy |
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copyright | Juan Parra Cancino |
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