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Exposition

Can Philosophy Exist? (last edited: 2024)

About this exposition

Photography with sound and net art, drawing, found folk sculpture with digital drawing, readymades, 2012, 2020, 2021. Accompanied by archival material. The exposition exposes the question of what is artistic research. Usurping the mini-essayist format, which is traditionally associated with research in say the area of philosophy, the exposition formally operates on different levels. I selectively included visual art research material from my own artistic archive, as well as anonymous material that's readily available from the internet and in film archives. In this way, I wanted to emphasise the role of archiving and using archives in the artistic process, as an element of artistic research and artistic production that might involve remediation. Taking that we live in a largely theoretic culture, which means that we use external information systems for storage and retrieval of written, visual and other material, the implication is that art is part of this theoretical system. Moreover, I specifically problematise the notion of value in relation to the visual arts by using the popular media figures of the counterfeit and the impostor, with reference to the so-called "impostor syndrome", correlated with being a minority of some sort in one's field: "A different thought is that two people may be answerable to the very same standard of success or competence, yet be subject to different epistemic standards for reasonable belief in their respective success or competence. This would be an example of pragmatic encroachment." (Katherine Hawley, "What is Impostor Syndrome?", Proceedings of the Aristotelian Society Supplementary Volume 93, 2019). I use visual art and figurative examples as illustrations, adapting from methods, such as the example, used in analytic philosophy. I suggest that some artworks operate as philosophical provocations of the archive. "The artwork just exists", as Frank Stella argued. In this view, I ordered this exposition as a design proposal for two independent, yet interconnected exhibitions: one for the final artistic exhibition show; and one as a general overview for the artist's studio, set up as a stand alone, if parallel, exhibition.

type	research exposition
keywords	value, philosophy, counterfeit, artistic research, archive, visual art, Readymades, curation, exhibition design, politics, Conceptual art, drawing, photograph, art theory, sound art
date	03/02/2020
last modified	27/11/2024
status	in progress
share status	public
copyright	Z.P.Nigianni
license	All rights reserved
language	British English
url	https://www.researchcatalogue.net/view/788411/813624

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name	One day we'll be in charge (animal rights)
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comments: 1 (last entry by Zoe Panagiota (aka Betty) Nigianni - 17/03/2023 at 19:38)

Zoe Panagiota (aka Betty) Nigianni 17/03/2023 at 19:38

"The fact is that most people are not interested in art as an interdisciplinary field. Art has repeatedly opened itself to other disciplines, but most of these other disciplines have not responded by being open to art. Art's task is to contribute to evolution, to encourage the mind, to guarantee a detached view of social changes, to conjure up positive energies, to create sensuousness, to reconcile reason and instinct, to research possibilities, to destroy cliches and prejudices. Most people don't see it that way." Pipilotti Rist in conversation with Hans Ulrich Obrist.

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