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The hidden voices of the upright bass (2020)

Björn Daniel Rasmus Andersson
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This thesis will focus on the possibilities of the upright bass as a chord instrument in the genre of composed music. The author will in particular delve into the natural harmonic spectra of the upright bass, utilizing harmonics to create scales and chords in the hopes of discovering ways to seamlessly blend traditional pizzicato playing with harmonics, thus "unlocking" new ways of approaching the upright bass as an ensemble- or indeed a soloinstrument.
typeresearch exposition
keywordsUpright bass, improvisation, chord playing
date11/09/2019
published01/07/2020
last modified01/07/2020
statuspublished
share statusprivate
copyrightDaniel Andersson
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/683759/683760
doihttps://doi.org/10.22501/rc.683759
published inResearch Catalogue


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