Exposition

Painting as Discourse (last edited: 2019)

Andrew Bracey

About this exposition

'Painting-As-Discourse' is a methodology to complement painting practice with a reflection of “on action and in action” (Gray & Malins, 2004, p21) that is central to the research and its findings. Selected individuals (from a range of expertise and levels of knowledge of the author's research) have partaken ‘Painting-As-Discourse’ conversations with Bracey in regard to one body of practice (ReconFigure Paintings), through the course of his PhD. In this way the artistic researcher has been encouraged and challenged about what he is saying verbally about the practice and being encouraged to respond to new readings and possibilities for the research. Each conversations is then used to form an ongoing series of revised statements about the work, following the approach of Elizabeth Price’s ‘Sidekick’ (Price, 2006). Each revised statement is given to the most recent 'Painting-As-Discourse' participant prior to the conversation to act as a spur for the conversation. Gray, C. and Malins, J. (2004), Visualising Research: A Guide to the Research Process in Art and Design. Ashgate. Price, E. “Sidekick.” In Thinking Through Art, edited by Macleod, K. & Holdridge, L. (2006), Oxford and New York: Routledge, p122-132.
typeresearch exposition
keywordspainting, contemporary painting, parasite, parasitic painting, parasitic endeavor, discourse, painting as tool and vehicle to communicate ideas, painting as a register of the process and theoretic operartor, painting-as-discourse, ReconFigure Painting, Andrew Bracey
date07/03/2019
last modified07/03/2019
statusin progress
share statuspublic
affiliationUniversity of Lincoln
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/589409/589410
external linkhttps://staff.lincoln.ac.uk/52f2bd13-6c3d-4df9-9a81-df8ea6a3100d


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