This essay is about risk in artistic research. It is about obstacles and turning points; a shift away from the familiar and move towards an unfamiliar terrain. It begins on a boat, heading to the North of Norway, in the darkness. December 2012 is when I turn away from a media art practice and move towards a more socially-engaged, activist way of working. I depart from Bergen; eventually arriving in Madrid, in the middle of an eviction crisis. Along the journey, I will invite various people to think with me, which takes the work in unplanned and unintended directions. I understand risk in the sense of ‘staying with the trouble’ (Haraway) until it becomes quite clear what is at stake. It is the risk we will take in finding meaning, by trying to locate the means to exist in and act on the present.
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