Exposition

Multilayeredness in Solo Performance (2021)

Søren Kjærgaard

About this exposition

This project investigates the multilayered potentials of solo performance with the intention of opening up the single player limitations often experienced during the creative process of play and practice. In performance contexts ranging from acoustic solo piano to a digital code-based video keyboard, concepts of multilayeredness are explored through compositional and improvisational strategies, that include instrument topography, extended piano techniques, audio-visual sampling and digital keyboard mapping. The purpose is also to create results that will contribute to how solo artists across formats can express themselves more dynamically and with greater flexibility in the interaction between their various materials and artistic ideas. A contribution also in terms of expanding methodological approaches to how solo performers and research practitioners can work iteratively and interactively in their reflective processes, inviting both a more verbalised and dialogic form, and to explore ways of documenting and communicating these processes in hybrids between text, sound and image.
typeresearch exposition
keywordsMultilayeredness, piano, improvisation, composition, sampling, audio-visual, code, coding, solowork, performance, solo performance, solo improvisation, audio-visual sampling, video, video sampling, listening, critical listening, imagination, extended techniques, RMC staff
date10/10/2017
published30/12/2021
last modified30/12/2021
statuspublished
share statuspublic
copyrightSøren Kjærgaard
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/396330/546642
published inRhythmic Music Conservatory, Copenhagen
portal issue2. Staff Publications 2021
connected toRhythmic Music Conservatory, Copenhagen


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