My performance art practice as an artist and researcher has become crucial to test ideas that theoretically catch my interest. For example, years ago I was convinced that performance art compositions were a miracle because of the Chaos theory in physics, where organized chaos was so complex that it was too difficult to perceive the origin, development and end of each action in time-space here and now. Within the context of an event of actions and the probabilities, time stretches out in many directions, making the observable constellation of actions more than chaotic, but four-dimensional almost, in a way that the past, present and future of the actions become one: Anticipation. Therefore, Anticipation in actions becomes crucial to understanding that action could fail even in a prediction, as an action goal is scored to be done, performers in present time-space, live simultaneously in the past present and future of the action, the tension between the action-goal is the vibration, but the anticipation is all the probabilities merge with the past and future of this action. Multidimensional perception requires a performer to perform within an action to improve training and work out through several performance preparations. An example is how to cross at constant speed a mass of crowded people and not change direction. Anticipation switches your present to be merged with your past and future. Such a concept is how I improve daily in my performance lab with the participants of my performance laboratory.
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