Exposition

Dreamachinery (2024)

Ruthia Jenrbekova
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About this exposition

The exposition presents individual outcomes of the collective PEEK project “The Magic Closet and the Dream Machine: Post-Soviet Queerness, Archiving, and the Art of Resistance” (AR 567), which was implemented in 2020—2024 by four artists/researchers: Katharina Wiedlack, Masha Godovannaya, Iain Zabolotny and Ruthia Jenrbekova. The overall conceptual frame, based on the well-known artefact called “Dreamachine”, has been developed by this collective, however, the exposition at hand present a particular approach and outcomes by its author, a PhD-in-Practice candidate Ruthia Jenrbekova. Our experimental art-research project was a study of queer lives in a number of post-soviet cities. One of the project’s ambition was developing and testing an experimental artistic methodology, which in my version is called “Dreamachinery”. Trying to connect it to a particular artistic tradition that I labeled as “Queer Light & Magic”, I present here a few outcomes of my personal interactions with the participants of a series of workshops that I conducted in the cities of Almaty, Tbilisi, Yerevan, Berlin and Vienna.
typeresearch exposition
keywordsdreamachinery, dream report, artefacts, dreamwork
date23/09/2024
published03/10/2024
last modified03/10/2024
statuspublished
share statusprivate
affiliationAcademy of Fine Arts Vienna
copyrightFWF – Österreichischer Wissenschaftsfonds
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3022741/3022742
doihttps://doi.org/10.22501/rc.3022741
published inResearch Catalogue
connected toAcademy of Fine Arts Vienna
external linkhttps://kreolex.center


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