Exposition

Performing Precarity (2024)

Laurence Crane, Anders Førisdal, LEA Ye Gyoung, Io A. Sivertsen, Lisa Streich, Jennifer Torrence and Ellen Ugelvik
Ellen Kristine Ugelvik, Laurence Crane, Anders Førisdal, Jennifer Torrence, Lisa Streich, Io Sivertsen

About this exposition

To be a contemporary music performer today is to have a deeply fragmented practice. The performer’s role is no longer simply a matter of mastering her instrument and executing a score. Music practices are increasingly incorporating new instruments and technologies, methods of creating works, audience interaction and situations of interdependence between performer subjects. The performer finds herself unable to keep a sense of mastery over the performance. In other words, performing is increasingly precarious.
typeresearch exposition
keywordsPerforming, Precarity, Contemporary music performance, Laurence Crane, Carola Bauckholt, Elizabeth Hobbs, Lisa Streich, Anders Førisdal, Io A. SIvertsen, Lea Ye Gyoung, Ellen Ugelvik, Jennifer Torrence, Simon Løffler, Trond Reinholdtsen, Christian Blom, Hild Borchgrevink, Norwegian Academy of Music, Simon Steen-Andersen, Theater Corpus, Tormod Lindgren, Darla Crispin, ECLAT, Bobby J, 2-Metre Harmony: Uncertain Chorales, Vladimir Tarnopolski, Artistic research, Io A. Sivertsen, Contemporary music, Performance, New Music, experimental music, instruments, audience, animals, networks, disorientation, pandemic, covid, compostion, queer theory, collapse, sharing, improvisation, being together, Bonnie Whiting, Performing precarity
date17/04/2023
published30/06/2024
last modified30/06/2024
statuspublished
share statusprivate
copyrightEllen Ugelvik
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2650755/2651075
doihttps://doi.org/10.22501/nmh-ar.2650755
published inNorwegian Academy of Music
portal issue9. Publications 2024


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