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Exposition

Postcolonial Fandango: Interdisciplinarity between Early Music, Ethnomusicology and Postcolonial Studies (last edited: 2024)

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The musical label of "Latin American Baroque" has been associated with musical cross-breeding, allthough the body of its repertorie (music from colonial archives) documents rather the absence of afro-hispanic or hispanic-amerindian musical features. By accepting the impossibility to find the written the exoticized "Mestizo Baroque", this research chooses to "re-imagine it" from orality. Taking the Fandango musical family as a framework, it enters into playful dialogues between the XVIII century European fandango and its surviving folklore counterparts: the Mexican Son Huasteco and the Colombo-Venezuelan Joropo. Through analysis and transcription of oral sources, style comparison, arrangement, and improvisation research aims to create a musical product that resolves the identity tensions present in the Performance of Colonial Baroque Music.

type	research exposition
keywords	Fandango, 18th century, historically informed performance, Folk, Crossover, Postcolonial Studies, postcolonial/decolonial theories, ethnomusicology, identity
date	22/11/2022
last modified	02/01/2024
status	in progress
share status	public
copyright	free
license	CC BY-NC-ND
url	https://www.researchcatalogue.net/view/2466444/2466440

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name	Fandango-chasselat - copy
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name	jota aragonesa - copy
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name	Cadencias
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name	Fandango_y_Pajarillo_REC_Yussif
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name	1 Cantaclaro - prelude
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name	2 Cantaclaro - Fandango
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name	3 Cantaclaro - Cadences
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name	4 Cantaclaro pajarillo
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