‘LIBRETTISING’ SCIENCE: Using operatic narrative and performance to re-present scientific thought in an investigation of new methods towards developing contemporary opera.

Roxanne Korda

Exposition

‘LIBRETTISING’ SCIENCE: Using operatic narrative and performance to re-present scientific thought in an investigation of new methods towards developing contemporary opera. (2024)

Roxanne Korda

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This practice-based research investigates presenting scientific concepts and research on the operatic platform through an interdisciplinary and collaborative process. It focuses on libretti writing and performance, using tools such as anthropomorphism, archetype and mythological characters to engage participants and the audience with the subjects on stage. The work explores how to create an experience which enables a deeper sense of the reality of the science presented, and makes the audience, performers and creative practitioners complicit in the existence of the concepts, or objects, being performed. The performativity of the work is allowed to play a key role in shaping the final piece, as the researcher explores the embodiment of the characters during the process of production towards cyclical presentations of the work. This investigation includes two major collaborative projects in which I participated as librettist, producer and performer: 1. The Flowering Desert. An opera about the discovery of the TRAPPIST-1 planetary system, written to be performed specifically in planetaria. This involves a collaboration with: composer Daniel Blanco Albert; designer Alexander Kaniewski; filmmaker Tadas Stalyga; projectionist Leon Trimble; and the ThinkTank Planetarium (led by Colin Hutcheson). 2. Lipote: An Interconnected Journey. An opera/musical about deforestation due to intensive agriculture. Set in the soil from the perspective of the roots of trees. This involves a collaboration with: composer Oliver Farrow; jewellery maker Wanshu Li; choreographer Jingya Peng; and sound artist Leon Trimble.

type	research exposition
keywords	Doctoral research
date	16/10/2023
published	15/10/2024
last modified	15/10/2024
status	published
share status	private
copyright	Roxanne korda
license	CC BY-NC-ND
url	https://www.researchcatalogue.net/view/2276705/2276706/50/50
published in	Birmingham City University
portal issue	1. Doctoral Research

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name	Jupiter and Trappist
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name	TRAPPIST-1data
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name	The Flowering Desert Libretto
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name	Lipote An interconnected Journey Libretto
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name	Filmed performance - Lipote An Interconnected Journey - Edinburgh Fringe 2023
copyright	Roxanne Korda
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usages	picture

name	01_The Flowering Desert Overture - The Measurer
copyright	Infinite Opera/Tadas Stalyga
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name	04_The-Flowering-Desert-Costume-ideas
copyright	Alexander Kaniewski
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name	05_Opening-TFD-Spliced
copyright	Roxanne korda
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name	Voice-texture-version-1-with-pitch-Score-1
copyright	Daniel Blanco Albert
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name	tfdstarstudyroxpitch-_2_(1)
copyright	Infinite Opera
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usages	audio

name	TFD blocking
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name	Triple Study
copyright	Infinite Opera/Tadas Stalyga
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name	The Flowering Desert Scene 1 , Mélodrame 1, Scene 2
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name	09_Flower cut out footage
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name	12_TFD Showreel not VR June 2022
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name	The Flowering Desert - excerpt
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name	InfosheetandCastlist
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name	14_Audience Feedback May 2022 The Flowering Desert
copyright	Roxanne Korda
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name	15_Feedback with Alexander Kaniewski
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name	16_Audience Feedback Jan 2023 The Flowering Desert
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name	wholeforest
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name	cacophony
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name	individual voice
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name	01_Scene 2 Animation
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name	09_Lipote-Open-rehearsal-feedback-forms
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name	10_Transcription from participant feedback
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name	11_Show case - December 2022 Lipote An Interconnected Journey - Audience feedback(1-5)
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name	13_Lipote Showcase Feedback
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name	12_Lipote December 2022 Showcase
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name	In response to Naum Gabo Libretto
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name	02_In response to Naum Gabo Linear Construction 1 in Space No 1
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name	03_Autohoodening The Rise of Captain Swing Libretto
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name	05_The-Monk-of-the-River-libretto
copyright	Roxanne Korda
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name	06_The Monster of Gao Libretto
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‘LIBRETTISING’ SCIENCE: Using operatic narrative and performance to re-present scientific thought in an investigation of new methods towards developing contemporary opera. (2024)

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