Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble.

Raquel Garzás Garcia-Pliego

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Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble. (2017)

Raquel Garzás Garcia-Pliego

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Name: Raquel Garzás García-Pliego Main Subject: Classical Piano Research Supervisor: Anna Scott Title of Research: Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble Research Question: Can creating orchestral transcriptions of this piano piece confirm or change current perceptions of its character and meaning; and can studying the relationship between the orchestral and piano duo versions of Rachmaninoff's Symphonic Dances help inform my arrangements of his Variations? Summary of Results: This research paper focuses on the process and effects of creating orchestral transcriptions of Sergei Rachmaninoff's piano work Variations on a Theme of Corelli. The goal of this research has been to build more than one orchestral version of some of these variations in order to help piano students (as well as myself) arrive at more than one interpretation of the piece. In order to explore this idea of interpretive multiplicity and flexibility in the Variations, I based my transcription process on Rachmaninoff's Symphonic Dances: a work that the composer produced first for orchestra and afterwards for piano duo. During my analysis of the Symphonic Dances I tried to understand the composer's view of the relationship between orchestral and pianistic timbres so that I could then apply similar characteristics to my own transcriptions. As pianists we are frequently asked to think and play orchestrally, but sometimes we do not have the inspiration or tools to experiment with new sonorities and modes of sound production. In making these transcriptions, I have been able to explore and expand my own relationship with this work, while also opening up my mind to the interpretive possibilities inherent in other familiar piano works. In my presentation I will highlight elements of my analysis and transcription process before demonstrating their effects on my interpretation of Rachmaninoff's Variations at the piano. Biography: Raquel Garzás was born in Spain in 1992. After finishing her Bachelor Degree in Zaragoza, Spain, she continued her studies by pursuing a Master's Degree at the Koninklijk Conservatorium in Den Haag with David Kuyken. Raquel has a special affinity for chamber and contemporary repertoires, and is a member of the chamber group Camus Trio. In recent years she has performed as a soloist with several orchestras, including the "Chamber Music Orchestra Andrés Segovia" together with the "Orfeón Donostiarra" in the National Auditorium of Madrid.

type	research exposition
keywords	piano, Rachmananinov, Variations, symphonic, dance, Orchestration, transcription
date	14/03/2017
published	11/09/2017
last modified	11/09/2017
status	published
share status	private
license	All rights reserved
url	https://www.researchcatalogue.net/view/215245/341248/1
doi	https://doi.org/10.22501/koncon.215245
published in	KC Research Portal
portal issue	1. Master Research Projects

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name	Tabla symphonic dances
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name	Seventh example 5
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name	Seventh example 1
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name	Second example
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name	First example
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name	cell explicacion
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name	Transcriptions 6
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name	Captura de pantalla 2017-03-12 22.29.35
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name	Transcriptions 4
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name	Captura de pantalla 2017-03-12 22.29.43
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name	Captura de pantalla 2017-03-12 22.29.48
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name	Variations on a theme of Corelli v. XVII (3rd version)
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name	Variations on a theme of Corelli v. XVII (2nd version)
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name	Variations on a theme of Corelli v. XVII
copyright	Raquel Garzás García-Pliego
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name	Rachmaninoff_-_Corelli_Variations-20-21
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name	Rachmaninoff_-_Corelli_Variations-14-14
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name	Variations on a theme of Corelli v. XII (2nd version)
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. XII
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. IX (3rd version)
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. IX (2nd version)
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. IX
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. IV (2nd version)
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. IV
copyright	Raquel Garzás García-Pliego
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name	Rachmaninoff_-_Corelli_Variations-5-5
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name	Rachmaninoff_-_Corelli_Variations-4-4
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. III (2nd version)
copyright	Raquel Garzás García-Pliego
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name	Variations on a theme of Corelli v. III
copyright	Raquel Garzás García-Pliego
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name	Rachmaninoff_-_Corelli_Variations-10-10
copyright	Raquel Garzás García-Pliego
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name	Rachmaninoff_-_Corelli_Variations
copyright	Raquel Garzás
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name	Symphonic dances piano duo-I_Non_allegro
copyright	Raquel Garzás
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name	Op.45_Symphonic_Dances_I._Non_Allegro
copyright	Raquel Garzás García-Pliego
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name	Var XVII 3rd version
copyright	Raquel Garzás
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name	Var XVII 2nd version
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name	Var XVII 1st version
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name	Var IX 3rd version
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name	Var IX 2nd version
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name	Var IX 1st version
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name	Variation XVII (3rd version)
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name	Variation XVII (2nd version)
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name	Variation XVII (1st version)
copyright	Raquel Garzás
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name	Variation IX (3rd version)
copyright	Raquel Garzás
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name	Variation IX (2nd version)
copyright	Raquel Garzás
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name	Variation IX (1st version)
copyright	Raquel Garzás
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Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble. (2017)

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