Research Catalogue

About this exposition

Objective: This proposed exposition aims to critically examine the pitfalls of Orientalism and Occidentalism within the context of artistic research in music. By delving into the complexities of cultural representation and misrepresentation, it seeks to challenge preconceived notions and foster a more nuanced understanding of cross-cultural musical encounters. Methodology: Comparative Analysis: Through an in-depth comparative analysis, I will investigate the ways in which Orientalism and Occidentalism manifest in music performance practices. Drawing on diverse musical traditions, including Japanese influences, I will explore the power dynamics, stereotypes, and misappropriations that can arise when engaging with cultural musical expressions. Sonic Experimentation: Building on my expertise as a professional musician, I will create original compositions and sonic installations inspired by the concepts of wabi sabi, mono no aware, and ma. These explorations will serve as sonic reflections on the intricate relationship between artistic research, cultural heritage, and personal interpretation, allowing for a deeper engagement with the complexities of musical representation. Critical Reflection: Throughout the exposition, I will engage in critical reflection on my own artistic practice, acknowledging and addressing the potential biases, blind spots, and unintended consequences that can arise when navigating the cultural landscape of music. By scrutinizing my own work and interrogating the underlying assumptions, I aim to foster a greater awareness of the ethical and social implications inherent in artistic research. Expected Contributions: Providing insights into the manifestations of Orientalism and Occidentalism within music performance practices and their impact on cultural representation. Illuminating the potential pitfalls of cultural appropriation and misinterpretation in artistic research, while proposing alternative approaches that embrace collaboration and respectful dialogue. Fostering critical dialogue within the field, encouraging fellow artists and researchers to engage in self-reflection and thoughtful engagement with cultural differences. Audience Engagement: To ensure a broad and inclusive audience engagement, I plan to organize interactive workshops and performances, inviting participants to immerse themselves in the sounds and stories that emerge from my artistic research. By actively involving the audience, I aim to facilitate meaningful conversations about cultural exchange, representation, and the potential transformative power of music. Anticipated Impact: This exposition seeks to challenge established paradigms, disrupt Orientalist and Occidentalist frameworks, and promote a more equitable and culturally sensitive approach to artistic research in music. By critically examining the pitfalls of cultural misrepresentation, it aims to contribute to a more inclusive and respectful musical landscape that celebrates diversity and fosters cross-cultural understanding.

type	research exposition
keywords	artistic research, music performance, Orientalism, Occidentalism, cultural representation, sonic exploration, cross-cultural encounters, cultural appropriation, ethical implications, critical reflection, collaborative approaches, audience engagement, transformative power of music, inclusive representation, diversity, intercultural dialogue, japanese music, Japan, flute
date	21/06/2023
last modified	28/09/2023
status	in progress
share status	public
affiliation	University of Maastricht, Japanese Cultural Centre Utrecht
copyright	Martine Mussies
license	CC BY-NC-ND
language	British English
url	https://www.researchcatalogue.net/view/2143211/2143210
external link	http://www.martinemussies.nl

id	name	copyright	license
2210296	martinefluit1	copyright holder	CC BY-NC-ND
2210313	media1	copyright holder	CC BY-NC-ND
2210316	media2	copyright holder	CC BY-NC-ND
2210318	media3	copyright holder	CC BY-NC-ND

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Exploring Japanese (Inspired) Music (last edited: 2023)

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