Research Catalogue

References

• Alard, D, Le Labyrinthe De L´Harmonie Par Pietro Locatelli. (Mainz-Leipzig: B. Schott’s Söhne, 1868)
• Attali, Jacques, Noise (University of Minnesota Press, 1985)
• Berg, J, Pietro Locatelli Da Bergamo (Amsterdam: Tijdschrift der Vereeniging voor Noord-Nederlands Muziekgeschiedenis , 1922, Deel 10, 3de Stuk (1922), pp. 185-194, publisherKoninklijke Vereniging voor Nederlandse Muziekgeschiedenis (KVNM), 1922) <https://www.jstor.org/stable/947808>
• Cage, John, Silence: Lectures and Writings (Calder and Boyars., 1968)
• David, Ferdinand, and Henri Petri, Die Hohe Schule Des Violinspiels (Breitkopf und Härtel, p. 50, 1903)
• Derrida, Jacques, The Truth in Painting (University of Chicago Press, 1987)
• Dreyfus, Lawrence, Early Music Defended Against Its Devotees: A Theory of Historical Performance in the Twentieth Century. The Musical Quarterly. Vol. 69, No. 3 (Summer, 1983), Pp. 297- 322 (Oxford University Press, 1983) <https://www.jstor.org/stable/742175>
• Dunning, Albert, and Arend Koole, Pietro Antonio Locatelli. (Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, Deel 20, No. 1/2, pp 52-96, 1964)
• D’Errico, Lucia, Aberrant Likenesses: The Transposition of Resemblances in the Performance of Written Music, Taken from Transpositions: Aesthetico-Epistemic Operators in Artistic Research, Ed Schwab (pp 59-74, 2018) <https://www.jstor.org/stable/j.ctv4s7k96>
• Ex, Nicole, Zo Goed Als Oud: De Achterkant Van Het Restaureren (Amsterdam: Amber, 1993)
• Ferneyhough, Brian, Collected Writings (Routledge, 1995)
• Goehr, Lydia, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford University Press, 2007)
• Heartz, Daniel, Locatelli and the Pantomime of the Violinist in "Le Neveu De Rameau" (Diderot Studies, Vol. 27, pp. 115-127, 1998)
• Kivy, Peter, Authenticities. Philosophical Reflections on Musical Performance (Ithaca: Cornell University Press, 1995)
• Kostelanetz, Richard, and John Cage, The Aesthetics of John Cage: A Composite Interview (Kenyon: The Kenyon Review New Series, Vol. 9, No. 4 (Autumn, 1987), pp. 102-130, 1987) <https://www.jstor.org/stable/4335884>
• Leech-Wilkinson, Daniel, Challenging Performance: Classical Music Performance Norms and How to Escape Them, 2020 <https://challengingperformance.com/the-book/>
• Leech-Wilkinson, Daniel, What We Are Doing With Early Music Is Genuinely Authentic to Such a Small Degree That the Word Loses Most of Its Intended Meaning (Early Music, Vol. 12, No. 1 (Feb., 1984), pp. 13-16, Oxford University Press, 1984) <https://www.jstor.org/stable/3127147>
• Locatelli, Pietro, L’Art Del Violino, XII Concerti (Michel-Charles Le Cene, 1733)
• Nadaud, Edouard, Locatelli, L’Art Du Violon (Éditions Costallat, 1900)
• Riley, Terry, In C (Associated Music Publishers, 1964) <https://thirdcoastpercussion.com/downloads/2015/04/Terry-Riley-In-C-concert2.pdf>
• SInker, Mark, Shhhhhh! (The Musical Quarterly , Summer, 1997, Vol. 81, No. 2, 1997) <https://www.jstor.org/stable/742463>
• Small, Christopher, Musicking (Wesleyan University Press, 1998)
• Taruskin, Richard, On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance (The Journal of Musicology, July 1982, Vol. 1, No. 3, pp. 338-349. University of California Press, 1982)
• Taruskin, Richard, Text and Act: Essays on Music and Performance (Oxford University Press, 1996)
• de Assis, Paolo, The Logic of Experimentation (Leuven: Leuven University Press, 2018)
• van Saaze, Vivian, Installation Art and the Museum (Amsterdam University Press, 2013) <https://www.jstor.org/stable/j.ctt46n18r.5>