name | Excerpt from cello part (page 4), ‘Date not remembered’ |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | Excerpt from score, ‘Date not remembered’ |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | Date not remembered (live) |
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copyright | Isaac Barzso, Sketch351 |
license | All rights reserved |
usages | audio |
name | Date not remembered — cello part/ score |
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copyright | Isaac Barzso |
license | All rights reserved |
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name | Loretto coal pit, electromagnetic field recording |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | audio |
name | Sonic Placemaking: (Re)Creating Place as a Comprehensive Compositional Practice |
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copyright | Isaac Barzso |
license | All rights reserved |
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name | Custom-built SDIF-to-notation Max/MSP patch |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | Recursion and decay in the first three pages of ‘(almost always is nearly enough)’, 3 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | (almost always is nearly enough) |
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copyright | Isaac Barzso |
license | All rights reserved |
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copyright | Isaac Barzso, earspace |
license | All rights reserved |
usages | audio |
name | Beginning of repetitive structure in ‘phantom islands, saltwater superstructures’ (score, page 6) |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | welcomed not belonging, cover for digital release |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | phantom islands, saltwater superstructures |
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copyright | Isaac Barzso, Laura Barger, Kathryn Sloat |
license | All rights reserved |
usages | audio |
name | phantom islands, saltwater superstructures |
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copyright | Isaac Barzso |
license | All rights reserved |
usages |
name | sound compression |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | light space |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | repetition1 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | repetition2 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | Untitled.exe (live) |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | video |
name | reiterative1 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | reitrative2 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | picture |
name | untitled.exe, score |
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copyright | Isaac Barzso |
license | All rights reserved |
usages |
name | isaacbarzso_fractureswithgrain_2021 |
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copyright | Isaac Barzso |
license | All rights reserved |
usages |
name | Say all before |
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copyright | Isaac Barzso, Sketch351 |
license | All rights reserved |
usages | audio |
name | fractures with grain and the dust on the window-sill |
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copyright | Isaac Barzso |
license | All rights reserved |
usages | audio |
name | IsaacBarzso_initial-gesture-protraction_2023_TRANSPOSINGSCORE |
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copyright | Isaac Barzso |
license | All rights reserved |
usages |
name | metal on wind on metal |
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copyright | Isaac Barzso |
license | All rights reserved |
usages |
name | isaacbarzso_gooddaysunshine_TRANSPOSING-SCORE_march6 |
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copyright | Isaac Barzso |
license | All rights reserved |
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