Exposition

Sonic Placemaking: (Re)Creating Place as a Comprehensive Compositional Practice (2023)

Isaac Barzso

About this exposition

This paper is focused on the development of a large-scale personal compositional practice centered around the concept of placemaking. Its content is focused on the relationship between data analysis, data sonification, and musical structure in the development of art which engages in a practice which I refer to as ‘sonic placemaking.’ In the end, this research intends to put this artistic practice in a space to interrogate the relationship between art and social change, both on small and large scales. The different sections of the paper will provide context and support for my practice's conceptual and philosophical background, drawing on related theoretical writings in geography, sociology, fine art, and composition while guiding the reader through my process in executing these concepts through works of multimedia art and acoustic composition — and, at the same time, actively questioning the ability of this process to influence social change and worldmaking.
typeresearch exposition
keywordsplacemaking, structure
date31/03/2023
published02/06/2023
last modified02/06/2023
statuspublished
share statusprivate
copyrightIsaac Barzso
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/2059077/2060308
doihttps://doi.org/10.22501/koncon.2059077
published inKC Research Portal
portal issue1. Master Research Projects


Copyrights


Comments are only available for registered users.