The use of the horn in the late orchestral works by Robert Schumann

Márton Kóródi

About this exposition

When I played a Schumann piece, Genoveva Overture, for the first time, I was wondering, because there were Ventilhorn and Waldhorn parts. I could not imagine what his idea was when he wrote for four horns, but still used two different kinds of the same instrument. Did he want to express something with this set-up? Beside this, I did not understand why he, and other romantic composers, use so much transposition when they had already a completely chromatic instrument. As I started to get to know and play the natural horn, it was getting clearer what his intention could have been. Why he used an ‘ancient’ instrument, though he could compose for four chromatic horns. This made me even more interested, and I also got more questions and hypotheses about the topic, for what I wanted to find an answer. In my research, I tried to get to know the use of the horn in the middle of the 19th century. I wanted to get familiar with the contemporaries’ imagination about the old and new instrument, and with the way how they used them. Then, with this knowledge, I analysed Schumann’s orchestral works, especially the horn parts, and tried to find out if the results are matching with the background research. My aim was too, show the horn players, that the romantic horn playing is not only about the ‘holy’ valve horn, but something more complex and colourful.

type	research exposition
keywords	Schumann, Horn, natural horn, valve horn, romanticism, historically informed performance, Historically informed performing, Lewy
date	13/02/2023
published	01/06/2023
last modified	01/06/2023
status	published
share status	private
copyright	Márton Kóródi - 2023
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/1949215/1949216
doi	https://doi.org/10.22501/koncon.1949215
published in	KC Research Portal
portal issue	1. Master Research Projects

name	Lully
copyright	IMSLP - Public domain
license	Public domain
usages	picture

name	W.A.Mozart: Horn Concerto Nr.4 bars 121-124
copyright	1988 by Bärenreiter Verlag, Kassel - Neue Mozart Ausgabe
license	All rights reserved
usages	picture

name	Natural Harmonic Series
copyright	Márton Kóródi
license	Public domain
usages	audio

name	20230216_185909
copyright	Márton Kóródi
license	Public domain
usages	video

name	J.-B. Lully: Les Violons et Cors de Chasse
copyright	Márton Kóródi
license	Public domain
usages	audio

name	W.A.Mozart: Horn concerto KV 495 1st movement: m.121-124
copyright	Márton Kóródi
license	Public domain
usages	video

name	Valve horn
copyright	Márton Kóródi
license	Public domain
usages	video

name	naturalharmonic series
copyright	Thomas Bacon 1996-2009
license	Public domain
usages	picture

name	nemetz
copyright	IMSLP - Public domain
license	Public domain
usages	picture

name	OscarFranz_Method
copyright	New York: Carl Fischer, 1906
license	Public domain
usages	picture

name	RStrauss_gewidmet
copyright	Belwin Mills Publishing Corp,
license	Public domain
usages	picture

name	Lohengrin_crookchange
copyright	Leipzig: Breitkopf und Härtel
license	Public domain
usages	picture

name	OscarFranzTutor excerpt
copyright	New York: Carl Fischer, 1906
license	Public domain
usages	picture

name	Horn in Bb
copyright	Márton Kóródi
license	Public domain
usages	audio

name	FStraussop2
copyright	Munich: Falter & Sohn, 1845
license	Public domain
usages	picture

name	Excerpt in F
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Kling excerpt
copyright	Louis Oertel 1900
license	Public domain
usages	picture

name	Kling excerpt in F
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Meifred
copyright	Richault
license	Public domain
usages	picture

name	Meifred Natural
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Meifred Valve
copyright	Márton Kóródi
license	Public domain
usages	audio

name	KlingINe
copyright	Márton Kóródi
license	Public domain
usages	audio

name	La Juive
copyright	Gossett, Philip and Charles Rosen
license	Public domain
usages	picture

name	Rienzi
copyright	Hasko Kröger
license	Public domain
usages	picture

name	J. Halévy: La Juive, Act I, no.5, mm. 1-24.
copyright	Márton Kóródi
license	Public domain
usages	audio

name	R. Wagner: Rienzi
copyright	Márton Kóródi
license	Public domain
usages	audio

name	ECLewy
copyright	Archive, Library, Collections of the Gesellschaft der Musikfreunde in Wien
license	Public domain
usages	picture

name	ECLewy
copyright	Archive, Library, Collections of the Gesellschaft der Musikfreunde in Wien
license	Public domain
usages	picture

name	Lewy_1836
copyright	Robert Ostermeyer
license	Public domain
usages	picture

name	Jägerabschied
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	nachtgesang
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	aufDemStorm
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Kuhlau
copyright	C.F. Peters
license	Public domain
usages	picture

name	Kuhlau2
copyright	C.F. Peters
license	Public domain
usages	picture

name	Mendelssohn-Trombone
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Mendelssohn+Trombone
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Kuhlau
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Symph1_IV
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Isymph_IV_sharedmelody
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Isymph_IV_sharedmelodyII
copyright	Márton Kóródi
license	Public domain
usages	picture

name	1stsymph_I
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann1_1
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Schumann 1 beginning
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann1
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Schumann: 4th Symphony Lebhaft original version
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann: 4th Symphony Lebhaft revised version
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann: 4th Symphony Lebhaft original version
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann: 4th Symphony Lebhaft revised version
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Robert Schumann: Requiem für Mignon op.98b
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schubert_Unfinished
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Nachtlied_horn part
copyright	E.F.Kalmus
license	Public domain
usages	picture

name	Schumann 3_4
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann3_4
copyright	Márton Kóródi
license	Public domain
usages	audio

name	End of the 4th movement from the 3rd Symphony
copyright	C.F. Peters
license	Public domain
usages	picture

name	MignonNr4
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Genoveva ending
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Weber: Freischütz
copyright	Manuscript
license	Public domain
usages	picture

name	Weber: Freischütz
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Schumann: 3. Symph 5.mvt
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann3_5
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Genoveva
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Schumann3_2
copyright	Jacques Gignoux
license	Public domain
usages	picture

name	Schumann3_2
copyright	Márton Kóródi
license	Public domain
usages	audio

name	IIISymph_end
copyright	Breitkopf & Härtel
license	Public domain
usages	picture

name	Genoveva
copyright	Márton Kóródi
license	Public domain
usages	audio

name	Schumann3end
copyright	Márton Kóródi
license	Public domain
usages	audio

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The use of the horn in the late orchestral works by Robert Schumann (2023)

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